Third Party Canon EF Mount Lenses For Cinematography - Canon EOS Technoclopedia

Third-Party Cine Lenses For Canon EF
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Filter Ø (mm) Front Ø (mm) Max. Ø (mm) Length (mm) Weight (g) Focus Type Focus Throw
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Parfocal Zoom Type E-TTL II2 Lens Hood Produced Comments Tests & Reviews3
Angénieux 15-40mm T2.6 Optimo Lightweight Series Print Angenieux 15-40mm T2.6 Optimo Lightweight Series Specifications     Super 35 limited 5K 73 - 31.2           60   114   186 1920 MF only | IF 320   rotary     2006    
Angénieux 16-40mm T2.8 Optimo Style Lightweight Series Print Angenieux 16-40mm T2.8 Optimo Style Lightweight Series Specifications     Super 35 limited   69 - 31.2           60   114   186 1920 MF only | IF 320   rotary     2014    
Angénieux 24-290mm T2.8 Optimo Long Lens Series   Print Angenieux 24-290mm T2.8 Optimo Long Lens Series Specifications     APS-C limited* 4K* 49.2 - 4.2           122   162   440 11000 MF only | IF 327   rotary     2001 *S35 covering 5K possible with 1.4x or 2.0x Extenders (natively only offers a 30mm image circle (S35 has 31.1mm), reported to deliver 4K on a RED at wide end, 5K at ~35mm and longer without vignetting)  
Angénieux 25-250mm T3.5 DP Optimo   Print Angenieux 25-250mm T3.5 DP Optimo Specifications     Super 35 limited 5K 47.6 - 5           122 internal filter holder 137   ~375 7300 MF only | IF     rotary     2013    
Angénieux 25-250mm T3.5 Optimo Style Long Lens Series Print Angenieux 25-250mm T3.5 Optimo Style Long Lens Series Specifications     Super 35 limited 4K 47.6 - 5           122 internal filter holder 136   ~377 7300 MF only | IF     rotary     2014    
Angénieux 28-76mm T2.6 Optimo Lightweight Series Print Angenieux 28-76mm T2.6 Optimo Lightweight Series Specifications     Super 35 limited 5K 42.8 - 16.4           60   114   186 1920 MF only | IF 320   rotary     2007    
Angénieux 30-72mm T4.0 A2S Optimo Anamorphic 2x Squeeze Series       Super 35 limited   72.5 - 34           65   114   227 2400 MF only | IF 320   rotary     2015 uncoated front element available as optional accessory (to be installed by lens technicians, ann. f. Q3 2017)  
Angénieux 30-76mm T2.8 Optimo Style Lightweight Series Print Angenieux 30-76mm T2.8 Optimo Style Lightweight Series Specifications     Super 35 limited   40.2 - 16.4           60   114   186 1920 MF only | IF 320   rotary     2014    
Angénieux 45-120mm T2.8 Optimo Lightweight Series Print Angenieux 45-120mm T2.8 Optimo Lightweight Series Specifications     Super 35 limited 5K 27.4 - 10.5           94   114   203 1950 MF only | IF 320   rotary     2011    
Angénieux 48-130mm T3.0 Optimo Style Series         Super 35 limited   25.6 - 9.8           94   114   206 1950 MF only | IF 320   rotary     ann. f. Q4 2017    
Angénieux 56-152mm T4.0 A2S Optimo Anamorphic 2x Squeeze Series       Super 35 limited   42.8 - 16.4           63   114   210 2200 MF only | IF 320   rotary     2013 uncoated front element available as optional accessory (to be installed by lens technicians, ann. f. Q3 2017)  
Angénieux Type EZ-2 15-40mm T2.0
22-60mm T3.0
        Super 35 limited
ana./dig. limited

8K
77.6 - 33.7
80.2 - 35
  22
32
9     60   114   210 (constant) 2120
2070
MF only | IF 300   rotary     ann. f. Q3 2017 minimum working distance of 60cm  
Angénieux Type EZ-1 30-90mm T2.0
45-135mm T3.0
        Super 35 limited
ana./dig. limited

8K
43.6 - 15.2
45.6 - 15.9
  22
32
9     60   114   226 (constant) 2150
2050
MF only | IF 300   rotary     2017 minimum working distance of 60cm  
Angénieux Motorized Cine Servo Unit [MSU-1]         attaches to the side of the lenses; fits Type EZ series lenses; 3 motors 160 x 118 x 108 590     2016 supports WiFi remote lens control  
Angénieux Motorized Cine Servo Unit [MSU-1A]         attaches to the side of the lenses; fits Type EZ series lenses; 1 motor 146 x 95 x 104 440     2017 supports WiFi remote lens control  
Angénieux Optimo Servo Unit         attaches to the side of the lenses; fits Optimo Lightweight Series 15-40, 28-76 and 45-120 and Optimo DP Lenses incl. 16-42 and 30-80 (excl. 25-250?)         2012 provides control over zoom (via rocker) and iris, focus control only available with specific versions  
Angénieux Servo Unit [ASU]         attaches to the side of the lenses; fits Optimo Lightweight Series 15-40, 28-76 and 45-120, Optimo Style 16-40, 30-76 and 48-130 and Optimo A2S lenses; generates lens metadata based on Cooke protocol (PL mount only?) 700     2014 provides control over zoom, focus and iris directly from the onboard controls or remotely via wired and wireless devices from e.g. Angénieux and Preston; compatible with Broadcast remote handles and Cinema remote control  
  • Many Angénieux lenses feature the so called Universal Mount (screw mount, european version, measuring 58mm in diameter, used by Angénieux, Cooke and others for ages). They were/are traditionally served with a PL or Panavision mount. However, since the EF Cine introduction it's also possible to order most Angénieuxes with a Canon EF mount. The above selection only contains those lenses, that are indeed available with EF mount straight from the factory, although Universal to EF mount adapters are freely available at the moment (which means, you can basically buy any S35+ vintage Angenieux or Cooke, unscrew the mount, throw the EF adapter in and mount it to your APS-C or Cine EOS). Among the exceptions are Optimo Anamorphic Series and the Optimo 17-80, 19.5-94 and 28-340. Also, at least the Canon mount for the 24-290 seems to be different from the others. That's what the catalog sais.
  • The Type EZ Series lenses are the result of a collaboration with Band Pro Film & Digital Inc. and Jebsen Industrial Technology Co. Ltd.. They feature an interchangeable rear optics module to switch between Super 35mm and full frame 35mm/VistaVision image formats. The lenses themself thus are just labeled Type EZ-#, the focal length and aperture are engraved on the exchangeable rear module. The mounts are exchangeable as well (not sure whether it's the traditional system or something new, the options include PL, EF and E mount). The EZ series lenses feature full metal barrels with thermal drift compensation to provide constant focus during temperature changes.
  • All the above lenses come with interchangeable focus scales (switch between feet or meters) and provide breathless or nearly breathless zoom and focus mechanisms.
Atlas Anamorphic 2x Orion 40mm T2.0         APS-H limited       22       84   110       MF only 270 -/- -/-     ann. f. 01.2018    
Atlas Anamorphic 2x Orion 65mm T2.0         APS-H limited       22       84   110   210 2900 MF only 270 -/- -/-     ann. f. 01.2018    
Atlas Anamorphic 2x Orion 100mm T2.0         APS-H limited       22       100   110       MF only 270 -/- -/-     ann. f. 01.2018    
  • Atlas lenses come with IMS mount, default options include PL, Canon EF and more - all dumb. Gears are standard 0.8 mod.
Bokkeh Optics 25mm T2.1 Bokkelux         Vista Vision limited 8K     22 12     21 105 110   130 1450 MF only 340 -/- -/-     2017    
Bokkeh Optics 35mm T2.0 Bokkelux         Vista Vision limited 8K     22 12     30 105 110   130 1420 MF only 340 -/- -/-     2017    
Bokkeh Optics 50mm T2.0 Bokkelux         Vista Vision limited 8K     22 12     44 105 110   130 1420 MF only 340 -/- -/-     2017    
Bokkeh Optics 75mm T2.0 Bokkelux         Vista Vision limited 8K     22 12     69 105 110   130 1320 MF only 340 -/- -/-     2017    
Bokkeh Optics 100mm T2.0 Bokkelux         Vista Vision limited 8K     22 12     56 105 110   130 1400 MF only 340 -/- -/-     2017    
  • Bokkeh lenses are color matched and come with consistently positioned gears throughout the series for easy and fast switching between lenses. Markings are engraved and - optionally - fluorescent. Mounts are fixed it seems - Canon EF being one of a few options of course.
Bower V-DSLR 8mm T3.8 UMC Fish-Eye CS II [SLY8VDC]   Print Bower V-DSLR 8mm T3.8 Aspherical IF MC Fish-Eye Specifications   APS-C limited   167 diag.   22 6 polygonal stepless 30 -/- 75   75.1 455 MF only | IF   -/- -/-   bayonet, flower Samyang 2012    
Bower V-DSLR 14mm T3.1 ED AS IF UMC [SLY14VDC]   Print Bower V-DSLR 14mm T3.1 ED AS IF UMC Specifications   ana./dig. limited   105.8   22 6 polygonal stepless 28 none, use SFH-14 87   96.1 620 MF only | IF ~240 -/- -/-   bayonet, flower Samyang 2013    
Bower V-DSLR 16mm T2.2 ED ... CA [SLY16VDC]   Print Bower V-DSLR 16mm T2.2 Specifications   APS-C limited   69.4   22 8   stepless 20 77 83   89.4 590 MF only | IF   -/- -/-   bayonet, flower Samyang 2014 SLY16VDCM is the Canon EOS M version  
Bower V-DSLR 24mm T1.5 ED AS IF UMC [SLY24VDC]   Print Bower V-DSLR 24mm T1.5 ED AS IF UMC Specifications   ana./dig. limited   73.8   22 8 polygonal stepless 25 77 83   97.5 615 MF only 140 -/- -/-   bayonet, flower Samyang 2012    
Bower V-DSLR 35mm T1.5 AS UMC [SLY35VDC]   Print Bower V-DSLR 35mm T1.5 AS UMC Specifications   ana./dig. limited   54.1   22 8   stepless 30 77 83   111.5 700 MF only   -/- -/-   bayonet, flower Samyang 2012    
Bower V-DSLR 85mm T1.5 [SLY85VDC]   Print Bower V-DSLR 85mm T1.5 Specifications   ana./dig. limited   23.7   22 8   stepless 110 72 78   74.7 580 MF only   -/- -/-   bayonet, round Samyang 2013    
  • Refer to Still Lenses C/EF > Samyang for a list of Bower photography lenses.
Carl Zeiss Lightweight Zoom 15.5-45mm T2.6 Vario-Sonnar T*XP LWZ.2 Print Carl Zeiss 15mm T2.9 Distagon T* Compact Prime CP.2 15 Specifications     Super 35 limited 2K 78 - 31   22 9     45   114   209 2000 MF only 337 yes rotary     2010 full zoom rotation is 120°  
Zeiss Lightweight Zoom 21-100mm T2.9-3.9 T* LWZ.3         Super 35   61 - 14   22 11     80   114   226 (PL flange) 2000 MF only 294 yes rotary     ann. in 2016 feat. an exchangeable mount to swap between PL, EF and others  
  • The Zeiss Lightweight Zooms are cine zoom lenses of a new optical design featuring the same exchangeable mount like the Compact Prime lenses. A dedicated case for the lenses above is available with the LWZ.2 Transport Case #1890-874, a compact hard case made of polycarbonate (Pelican, 560 x 455 x 265mm).
Carl Zeiss Compact Prime 15mm T2.9 Distagon T* CP.2 15   Print Carl Zeiss 15mm T2.9 Distagon T* Compact Prime CP.2 15 Specifications     ana./dig. limited 4K 100   22 14 circular   30   114   86 900 MF only 300 -/- -/-     2012    
Zeiss Compact Prime 15mm T2.9 Distagon T* CP.3 15         ana./dig. limited   100   22 14 circular   30   95   83.7* 870 MF only 300 -/- -/-     ann. f. Q3 2017 *with PL mount  
Carl Zeiss Compact Prime 18mm T3.6 Distagon T* CP.2 18   Print Carl Zeiss 18mm T3.6 Distagon T* Compact Prime CP.2 18 Specifications     APS-H limited* 4K 75   22 14 circular   30   114   80 900 MF only 300 -/- -/-   deep barrel 2010 *according to Zeiss' brochure this lens does not fill full frame SLRs' image circle, but the lens design is based on a full frame lens  
Zeiss Compact Prime 18mm T2.9 Distagon T* CP.3 18         ana./dig. limited   89   22 14 circular   30   95   83.7* 860 MF only 300 -/- -/-     ann. f. Q3 2017 *with PL mount  
Carl Zeiss Compact Prime 21mm T2.9 Distagon T* CP.2 21   Print Carl Zeiss 21mm T2.9 Distagon T* Compact Prime CP.2 21 Specifications     ana./dig. limited 4K 81   22 14 circular   24   114   80 1000 MF only 300 -/- -/-   deep barrel 2010    
Zeiss Compact Prime 21mm T2.9 Distagon T* CP.3 21         ana./dig. limited   81   22 14 circular   24   95   83.7* 820 MF only 300 -/- -/-     ann. f. Q3 2017 *with PL mount  
Carl Zeiss Compact Prime 25mm T2.9 Distagon T* CP.2 25   Print Carl Zeiss 25mm T2.9 Distagon T* Compact Prime CP.2 25 Specifications     ana./dig. limited 4K 72   22 14 circular   17   114   80 900 MF only 300 -/- -/-   deep barrel 2010 - 2010    
Carl Zeiss Compact Prime 25mm T2.1 Distagon T* CP.2 25   Print Carl Zeiss 25mm T2.1 Distagon T* Compact Prime CP.2 25 Specifications     ana./dig. limited 4K 72   22 14 circular   26   114   80 900 MF only 300 -/- -/-     2012    
Zeiss Compact Prime 25mm T2.1 Distagon T* CP.3 25         ana./dig. limited   72   22 14 circular   26   95   83.7* 820 MF only 300 -/- -/-     ann. f. Q3 2017 *with PL mount  
Carl Zeiss Compact Prime 28mm T2.1 Distagon T* CP.2 28   Print Carl Zeiss 28mm T2.1 Distagon T* Compact Prime CP.2 28 Specifications     ana./dig. limited 4K 66   22 14 circular   24   114   80 1000 MF only 300 -/- -/-   deep barrel 2010    
Zeiss Compact Prime 28mm T2.1 Distagon T* CP.3 28         ana./dig. limited   65   22 14 circular   24   95   83.7* 840 MF only 300 -/- -/-     ann. f. Q4 2017 *with PL mount  
Carl Zeiss Compact Prime 35mm T2.1 Distagon T* CP.2 35   Print Carl Zeiss 35mm T2.1 Distagon T* Compact Prime CP.2 35 Specifications   ana./dig. limited 4K 54   22 14 circular   30   114   80 1000 MF only 300 -/- -/-   deep barrel 2010    
Zeiss Compact Prime 35mm T2.1 Distagon T* CP.3 35         ana./dig. limited   54   22 14 circular   30   95   83.7* 800 MF only 300 -/- -/-     ann. f. Q3 2017 *with PL mount  
Carl Zeiss Compact Prime 35mm T1.5 Distagon T* CP.2 35 Super Speed   Print Carl Zeiss 35mm T1.5 Distagon T* Compact Prime CP.2 35 Super Speed Specifications   ana./dig. limited 4K 54   22 14 circular   30   114   91 1100 MF only 300 -/- -/-     2012    
Carl Zeiss Compact Prime 50mm T2.1 Planar T* CP.2 50   Print Carl Zeiss 50mm T2.1 Planar T* Compact Prime CP.2 50 Specifications   ana./dig. limited 4K 40   22 14 circular   45   114   80 900 MF only 300 -/- -/-   deep barrel 2010    
Zeiss Compact Prime 50mm T2.1 Planar T* CP.3 50         ana./dig. limited   40   22 14 circular   45   95   83.7* 770 MF only 300 -/- -/-     ann. f. Q3 2017 *with PL mount  
Carl Zeiss Compact Prime 50mm T1.5 Planar T* CP.2 50 Super Speed   Print Carl Zeiss 50mm T2.1 Planar T* Compact Prime CP.2 50 Super Speed Specifications   ana./dig. limited 4K 40   22 14 circular   45   114   80 900 MF only 300 -/- -/-     2012    
Carl Zeiss Compact Prime 50mm T2.1 Macro-Planar T* CP.2 50   Print Carl Zeiss 50mm T2.1 Macro-Planar T* Compact Prime CP.2 50 Specifications     ana./dig. limited 4K 40   22 14 circular   24   134   132 1350 MF only 300 -/- -/-   deep barrel 2010    
Carl Zeiss Compact Prime 85mm T2.1 Planar T* CP.2 85   Print Carl Zeiss 85mm T2.1 Planar T* Compact Prime CP.2 85 Specifications   ana./dig. limited 4K 24   22 14 circular   100   114   80 900 MF only 300 -/- -/-   deep barrel 2010    
Zeiss Compact Prime 85mm T2.1 Planar T* CP.3 85         ana./dig. limited   24   22 14 circular   100   95   83.7* 880 MF only 300 -/- -/-     ann. f. Q3 2017 *with PL mount  
Carl Zeiss Compact Prime 85mm T1.5 Planar T* CP.2 85 Super Speed   Print Carl Zeiss 85mm T1.5 Planar T* Compact Prime CP.2 85 Super Speed Specifications   ana./dig. limited 4K 24   22 14 circular   100   114   80 900 MF only 300 -/- -/-     2012    
Carl Zeiss Compact Prime 100mm T2.1 Planar T* CP.2 100   Print Carl Zeiss 100mm T2.1 Planar T* Compact Prime CP.2 100 Specifications     ana./dig. limited 4K 20   22 14 circular   70   114   132 1490 MF only 300 -/- -/-   deep barrel 2010    
Zeiss Compact Prime 100mm T2.1 Planar T* CP.3 100         ana./dig. limited   20   22 14 circular   70   95   126.5* 1010 MF only 300 -/- -/-     ann. f. Q3 2017 *with PL mount  
Carl Zeiss Compact Prime 135mm T2.1 Sonnar T* CP.2 135   Print Carl Zeiss 135mm T2.1 Sonnar T* Compact Prime CP.2 135 Specifications     ana./dig. limited 4K 15   22 14 circular   100   114   149 1600 MF only 300 -/- -/-     2012    
Zeiss Compact Prime 135mm T2.1 Sonnar T* CP.3 135         ana./dig. limited   15   22 14 circular   100   95   126.5* 1150 MF only 300 -/- -/-     ann. f. Q3 2017 *with PL mount  
  • The Zeiss Compact Primes are a series of cine lenses optically based on the ZF lens designs. They don't come with a fixed mount. Exchangeable mount pieces are available for PL mount, Canon EF and Nikon F. Mount piece exchange takes approximately 10-15 mins. Screwdriver, disc shims, screws and a test chart are part of the accessories delivered with the mount pieces. The barrels and mechanics of the lenses are completely different from the ZF models and were optimized for the manual needs of filming (sturdier construction, homogeneous(ly) operating elements, long focus ring rotation etc.). All lenses of the CP.2 series are color-matched and feature module 0.8 gears.
  • CP.3 series lenses are available as basic and XD versions. XD stands for eXtended Data Technology, a proprietary mixture of the open /i-Technology standard and Zeiss specific lens data about lens characteristics. eXtended Data is not strictly limited to PL mount, since it is as well communicated via 4pin Lemo on the lenses.
  • Dedicated cases for the lenses above are available: one for 4 lenses and one for 6 lenses.
    • CP.2 Transport Case #1856-822 (6 lenses): compact hard case made of polycarbonate (Pelican); 560 x 455 x 265mm (discontinued as of 2012, the previously offered CP.2 lens sets (7 lenses) came in two of those cases per set)
    • CP.2 Transport Case #1853-662 (6 lenses): trolley style hard case made of polycarbonate; 560 x 455 x 265mm (2012)
  • Refer to Still Lenses C/EF > Zeiss for a list of Zeiss ZE photography lenses.
Carl Zeiss Compact Zoom 15-30mm T2.9 T* CZ.2   Print Carl Zeiss 15-30mm T2.9 T* Compact Zoom CZ.2 Specifications     ana./dig. limited 4K 100 - 62   22   circular   55   114   198 2600 MF only   yes rotary     2014    
Carl Zeiss Compact Zoom 28-80mm T2.9 T* CZ.2   Print Carl Zeiss 28-80mm T2.9 T* Compact Zoom CZ.2 Specifications     ana./dig. limited 4K 66 - 25   22   circular   83   95   196 2500 MF only   yes rotary     2013    
Carl Zeiss Compact Zoom 70-200mm T2.9 T* CZ.2 70-200   Print Carl Zeiss 70-200mm T2.9 T* Compact Zoom CZ.2 70-200 Specifications     ana./dig. limited 4K 29 - 10   22 18 circular   152   95   250 2800 MF only   yes rotary     2012    
Zeiss CZ.2 Servo Unit         attaches to the side of the CZ.2 Compact Zooms and allows to control zoom (via rocker), iris and focus and provides a number of ports for wired 3rd party remote control units     MF only unit powered by camera power out or external batteries (both requires optional cables)* ann. f. NAB 2015** *one unit fits all CZ.2 available lens mounts, but only PL mounts can also power the unit directly; **prototype was first presented at IBC 2014; feat. an LCD to show focal length, aperture and some more bits and USB port for firmware updates  
  • Zeiss cine lenses (all series) are color matched.
Celere HS 18.5mm T1.5         ana./dig. limited 6 - 8K       8                 MF only | IF           coming Q2 2017* *appeared at Photokina 2016  
Celere HS 25mm T1.5         ana./dig. limited 6 - 8K       8     24 77 85 90 FF: 108 S35: 118* 1050g (±10) MF only | IF 250         HIT 2015 there seems to be some sort of extender to use the lens on Super 35 format cameras  
Celere HS 36mm T1.5         ana./dig. limited 6 - 8K       8     33 77 85 90 118 1050g (±10) MF only | IF 250         HIT 2015    
Celere HS 50mm T1.5         ana./dig. limited 6 - 8K       8     43 77 85 90 118 1050g (±10) MF only | IF 250         HIT 2015    
Celere HS 85mm T1.5         ana./dig. limited 6 - 8K       8     115 77 85 90 118 1050g (±10) MF only | IF 250         HIT 2015    
  • Celere HS lenses are "Made in Germany" by Hanse Inno Tech from Hamburg. They are equipped with a swappable Vario Mount System with mounts being available for Canon EF, PL and Sony E*. The lenses also feature an exchangeable front element to switch between Coated and Uncoated looks**. Scales are to read from both sides, are available in metric and imperial and engravings are illuminant. The lenses are colour matched and come in full metal housings.

    * According to HIT all lenses shipped since 2015 (initial release) were delivered featuring the VMS, although originally the lenses were only intended for PL mount. This was changed at the last second. The EF mounts started to ship during 2016, Sony E mounts will become available until end of the year.
    ** Same story applies to the front lens element. HIT took 3 different versions of uncoated front lens elements to Cinec 2016 to have visitors evaluate the best choice. The "winner" is reported to go into production right after the show. All lenses deliverered since 2015 are compatible. The so called Net Diffusor is only applicable to the PL mounts. They come with a plastic ring, which can be unscrewed to attach a piece of mesh pantyhose as - depending on applied tightness - adjustable diffusor.
Century Precision Optics Canon 150-600mm T6.7 [CM-CZ16]         ana./dig. limited   14 - 3.4   32       305 R40.5 (2) or 48 (1) 125           yes       < 2000 based on Canon FD 150-600mm f/5.6 with electronic zoom; should be identical to #S2-CZ16, just a bit older  
Century Precision Optics Canon 300mm f/4.0L [CM-C340]         ana./dig. limited   6.9             R40.5             -/- -/-     < 2000    
Century Precision Optics Canon 300mm f/2.8L [CM-C328]         ana./dig. limited   6.9             R40.5             -/- -/-     < 2000    
Century Precision Optics Canon 400mm f/4.5 [CM-C445]         ana./dig. limited   5.2             R40.5             -/- -/-     < 2000    
Century Precision Optics Canon 400mm f/2.8L [CM-C428]         ana./dig. limited   5.2             R40.5             -/- -/-     < 2000    
Century Precision Optics Canon 500mm f/4.5L [CM-C545]         ana./dig. limited   4.1             R40.5             -/- -/-     < 2000    
Century Precision Optics Canon 600mm f/4.5 [CM-C645]         ana./dig. limited   3.4             R40.5             -/- -/-     < 2000    
Century Precision Optics Canon 800mm f/5.6L [CM-C856]         ana./dig. limited   2.6 1:17.5 22 9     1400 R48 (1)   149 ~570 ~4300     -/- -/-     < 2000 no gears  
Century Precision Optics Canon 1.4x Tele-Extender [XC-CA14]         ana./dig. limited The Extenders are modified to Century Universal Mount at both ends and will fit "most Custom Primes and [later] Series 2000" models. They are based on so called Canon type A optics. Not sure what is meant there, type A usually refers to E-TTL capable Canon camera bodies. < 2000    
Century Precision Optics Canon 2x Tele-Extender [XC-CA20]         < 2000    
  • Formerly Century Precision Optics U.S.A., merged into Schneider Optics in 2000 and is now just called Century Optics U.S.A. (see below). As of 2012 there are no dedicated EF mount mods available, but they use Canon glass, so here we go. All lenses above are modified to Century's neutral exchangeable screw-on type mount, that's used since ages (a.k.a. Century Universal Mount). There is no Canon EF mounting module available in one piece either. Instead you'll need to get the T-mount module [#0TM-00CT-00] and a T mount > EF adapter (e.g. Century #0TM-T2E0-00 or any other).
  • The classic CPO lens mods (all based on FD lenses) left the lens in its original chassis, only changing the rear section by adding T-stop calibrated manual diaphragms and the Century mount. Further the addition of gears for the control rings and in some cases also support mounts completed the task. Century refers to the above models as Custom Primes series.
  • Those are just a selection of commonly available Canon FD lens mods with interchangeable mount. For this mount Century further offered modifications of a number of Nikon lenses including the 2/200, 4/200 Micro, 2.8/300, 2/300, 2.8/400, 4/600 and 5.6/800 Nikkors. A Canon 2.8/14L, 2/200 and an Olympus 2/180 were only available with fixed mounts e.g. including PL, but not Canon EF or T mount (or anything else easily adapted).
  • The 40.5mm rear filters are convenient for Academy Standard (22 x 18.6mm) and will cause vignetting with APS-H, Super 35 and 35mm full frame formats.
Century Optics S2000 Canon 150-600mm T6.7 [0S2-CZ16-00]         ana./dig. limited   14 - 3.4   32       305 R40.5 (2) or 48 (1) 125       MF only   yes       ≥ 2000 based on Canon FD 150-600mm f/5.6 with electronic zoom; should be identical to #CM-CZ16, just a bit newer  
Century Optics S2000 Canon 300mm F2.8 Mark I [0S2-C328-00]         ana./dig. limited   6.9             R40.5 (2) or 48 (1)         MF only   -/- -/-     ≥ 2000 based on Canon FD 300mm f/2.8L  
Century Optics S2000 Canon 300mm T3 Mark II [0S2-C328-M2]         ana./dig. limited   6.9   22       305 114 and R40.5 (2) 122.9 149.86 265.8 3700 MF only | IF   -/- -/-     ≥ 2000 based on Canon EF 300mm f/2.8L; focus throw of 210°; compatible with TeleFX System (70 x 45mm filters)  
Century Optics S2000 Canon 400mm F2.8 Mark I [0S2-C428-00]         ana./dig. limited   5.2             R40.5 (2) or 48 (1)         MF only   -/- -/-     ≥ 2000 based on Canon FD 400mm f/2.8L  
Century Optics S2000 Canon 400mm T3 Mark II [0S2 C428 M2]         ana./dig. limited   5.2   22       457 R40.5 (2) 161   350.1 6600 MF only | IF   -/- -/-     ≥ 2000 based on Canon EF 400mm f/2.8L; focus throw of 360°; compatible with TeleFX System  
  • The Series 2000 Mark I models are basically the same like the old Custom Primes (read above).
  • For the S2000 Mark II models (all based on Canon EF lenses) Century only take the optics and house them in a completely new chassis with cine optimized mechanics, which includes a manual aperture ring, an expanded focus throw, precision scales on both sides of the lens, focus and iris gears, support mount for Arri bridgeplate and last but not least they are each packed in a hardcase.
  • All of the S2000 models can be ordered from stock or as custom modification of your own lens you'd send to them.
  • Again, those are just a selection of Canon EF adaptable Canon lens mods. They further offer a modified Canon 2.8/17-35L, the 3.5/24, 2.8/45 and 2.8/90 T/S lenses, a 2/200 and a Nikon 2.8/8 Fisheye, but those have all fixed mounts other than T or EF (primarily PL mount again).
  • 40.5mm rear filters are convenient for Academy Standard (22 x 18.6mm) and will start to cause vignetting with APS-H or Super 35 format.
Cinematics CT.2 11-16 TKN 11-16/2.8 EF (1st gen.)                       stepless     114                   2012 for the Tokina 11-16mm f/2.8; includes the housing and a geared ring for zoom control  
Cinematics CT.Pro 16-35 CAN 16-35/1.4 EF (1st and 2nd gen.)                       stepless     114                   as of 2014 for the Canon EF 16-35mm f/2.8L II USM  
Cinematics CT.2 17-40 17-40/T4 (1st and 2nd gen.)                       stepless     114                   as of 2014    
Cinematics CT.2 17-55 CAN 17-55/2.8 EF-S (1st and 2nd gen.)                       stepless     114                   as of 2014    
Cinematics CT.2 18 CZS 18/3.5 ZE (1st and 2nd gen.)                       stepless     114       MF only   -/- -/-     v1 2012, v2 2013    
Cinematics CT.2 18-35 SMA 18-35/1.8 EF (2nd. gen.)                             114                   as of 2014 for the Sigma AF 18-35mm f/1.8 DC HSM A  
Cinematics CT.2 21 CZS 21/2.8 ZF.2 (1st and 2nd gen.)                       stepless     114       MF only   -/- -/-     v1 2012, v2 2013 no officially listed ZE version in 2014  
Cinematics CT.2 24 (1st and 2nd gen.)                       stepless     114           -/- -/-     as of 2014 for the Canon EF 24mm f/1.4L II USM  
Cinematics CT.2 24 SY 24/1.4 EF (1st and 2nd gen.)                       stepless     114       MF only   -/- -/-     as of 2014 for the Samyang 24mm f/1.4 EOS  
Cinematics CT.2 24-70 (1st and 2nd gen.)                       stepless     114                   as of 2014 for the Canon EF 24-70mm f/2.8L II USM  
Cinematics CT.2 24-105 24-105/T4 (1st and 2nd gen.)                       stepless     114                   as of 2014 for the Canon 24-105mm f/4.0L IS USM  
Cinematics CT.2 25 CZS 25/2.0 ZE (1st and 2nd gen.)                       stepless     114       MF only   -/- -/-     v1 2012, v2 2013    
Cinematics CT.2 28 CZS 28/2 F (1st and 2nd gen.)                       stepless     114       MF only   -/- -/-     v1 2012, v2 2013 no officially listed ZE version in 2014  
Cinematics CT.2 28-80mm T2.8                                                 2012 listed in the 2012 Photokina handouts, compatible lens not specified, model not listed as of 2014 - the only 2.8/28-80 I can think of is the Tokina 28-80mm f/2.8 AT-X 280 AF PRO  
Cinematics CT.2 35 CT.95 35 (1st gen.) and CTmini 35 (2nd gen.)                       stepless     95           -/- -/-     as of 2014 for the Canon EF 35mm f/2.0  
Cinematics CT.2 35 CZS 35/1.4 ZE (1st and 2nd gen.)                       stepless     114       MF only   -/- -/-     v1 2012, v2 2013    
Cinematics CT.2 50 CT.95 50 (1st and 2nd gen.)                       stepless     95           -/- -/-     as of 2014 for the Canon EF 50mm f/1.8 Mark I  
Cinematics CTmini 50 CAN 50/1.8 EF (1st and 2nd gen.)                       stepless     95           -/- -/-     as of 2014 for the Canon EF 50mm f/1.8 Mark II  
Cinematics CT.2 50 CAN 50/1.4 EF (1st and 2nd gen.)                       stepless     114           -/- -/-     as of 2014    
Cinematics CT.2 50 CAN 50/1.2 EF (1st and 2nd gen.)                       stepless     114           -/- -/-     as of 2014    
Cinematics CT.2 50 CZS 50/1.4 ZE (1st and 2nd gen.)                       stepless     114       MF only   -/- -/-     v1 2012, v2 2013    
Cinematics CT.2 70-200 70-200/T2.8 (1st and 2nd gen.)                       stepless     114                   as of 2014 for the Canon EF 70-200mm f/2.8L IS II USM  
Cinematics CT.2 70-300 CAN 70-300/4-5.6 EF (1st and 2nd gen.)                       stepless     114                   as of 2014    
Cinematics CT.2 85 CAN 85/1.8 EF (1st and 2nd gen.)                       stepless     114           -/- -/-     as of 2014    
Cinematics CT.2 85 SY 85/1.4 EF (1st and 2nd gen.)                       stepless     114       MF only   -/- -/-     as of 2014 for the Samyang 85mm f/1.4 EOS  
Cinematics CT.2 85 (1st and 2nd gen.)                       stepless     114       MF only   -/- -/-     v1 2012, v2 2013 for the Zeiss ZE 85mm f/1.4 Distagon  
Cinematics CT.2 100 CZS 100/2.0 ZE (1st gen.)                       stepless     114       MF only   -/- -/-     2012 gen. 2 fits with Cinematics 1332D9F tripod collar  
Cinematics CT.Pro 135 CAN 135/2.0 EF (1st and 2nd gen.)                       stepless     115           -/- -/-     as of 2014    
  • The Cinematics mods are sold by the chinese company PChood. They do not necessarily alter the original lens. The whole thing basically isn't anything more than a huge focus ring slid on the lens, that looks a bit like a CP.2 series lens housing. At least the 50mm version can be mounted with the original lens hood without extending out of the front of the housing. Stepless aperture or aperture control ring are optionally available, if the full lens mod is ordered from PChood (including the lens). That said, PCHood sells the housings without lens, so you can put it on your lens yourself, as well as completely modded lenses. The housings come with focus gear rims module 0.8. PChood doesn't publish exact specs, but although looking quite massive, the Cinematics mod is pretty lightweight (made from alloy, it adds like 200g to the lens).
  • As of 2014 they offer 2 versions of housings. The first generation incorporates 2 focus gears per housing - one of bigger and one of smaller diameter. The complete housing from the aperture ring at the rear up to the front will rotate during focus. Generation 2 solves the issue of the rotating housing (focus gear no longer fixed to the rest of the housing), but does feature only the bigger diameter focus gear. The videos on Youtube provided by PChood point out, that Version 2 additionally features cutouts for MF/AF and IS switches, but infact none of the gen. 1 Canon housings above hides the switch panels. In some cases it rather looks like the switch panels are harder to access than before.
  • Besides the above listed models there also are some exclusively for Nikon mount lenses, including Cinematics CT.2 45-112mm T2.8 ED (for Nikon 28-70mm), Cinematics CT.2 80-200mm T2.8 (for Nikon 80-200mm) and Cinematics CT.2 128-230mm T2.8 ED (for Nikon 70-200mm).
Cooke Optics 18mm T2.8 miniS4/i       Super 35 4K     22 8     250 -/- 110   120 1300 MF only | IF (cam) 300 -/- -/-     EF ann. f. 10.2016    
Cooke Optics 21mm T2.8 miniS4/i       Super 35 4K     22 8     250 -/- 87   110 1560 MF only | IF (cam) 300 -/- -/-     EF ann. f. 10.2016    
Cooke Optics 25mm T2.8 miniS4/i       Super 35 4K     22 8     250 82 87   106 1400 MF only | IF (cam) 300 -/- -/-     EF ann. f. 10.2016    
Cooke Optics 32mm T2.8 miniS4/i       Super 35 4K     22 8     300 82 87   110 1600 MF only | IF (cam) 300 -/- -/-     EF ann. f. 10.2016    
Cooke Optics 40mm T2.8 miniS4/i       Super 35 4K     22 8     440 82 87   110 1700 MF only | IF (cam) 300 -/- -/-     EF ann. f. 10.2016    
Cooke Optics 50mm T2.8 miniS4/i       Super 35 4K     22 8     500 82 87   137 1500 MF only | IF (cam) 300 -/- -/-     EF ann. f. 10.2016    
Cooke Optics 65mm T2.8 miniS4/i       Super 35 4K     22 8     700 82 87   135 1600 MF only | IF (cam) 300 -/- -/-     EF ann. f. 10.2016    
Cooke Optics 75mm T2.8 miniS4/i       Super 35 4K     22 8     750 82 87   137 1600 MF only | IF (cam) 300 -/- -/-     EF ann. f. 10.2016    
Cooke Optics 100mm T2.8 miniS4/i       Super 35 4K     22 8     900 82 87   137 1600 MF only | IF (cam) 300 -/- -/-     EF ann. f. 10.2016    
Cooke Optics 135mm T2.8 miniS4/i       Super 35 4K     22 8     1000 82 87   157.8 1800 MF only | IF (cam) 300 -/- -/-     EF ann. f. 10.2016    
  • Cooke Optics are another classic cinema lens manufacturer. For a long time their lenses by default were available only for the Canon EOS C PL models. By entering the Canon EF mount market they also announced a DIY mount conversion set for all existing miniS4/i series lenses.
  • All lenses feature the Cooke Look® and are colour matched with all other Cooke lenses. They further feature 0.8 module gears and opposing focus scales with a choice of metric or imperial.
Duclos Lenses Tokina 11-16mm f/2.8 SD (IF) DX AT-X PRO   Print Duclos Lenses Tokina 11-16mm f/2.8 SD (IF) DX AT-X PRO Specifications     APS-H   104 - 82   32       30 77 80                   2011 3rd generation of complete rehousings come in a black anodized aluminum barrel featuring a manual aperture ring and gears for zoom, iris and focus  
Duclos Lenses Zeiss ZE Series         ana./dig. limited includes ZE 3.5/18, 2.8/21, 2/25, 2/28, 2/35, 1.4/35, 1.4/50, 2/50 Macro, 1.4/85 and 2/100 Macro 77 80       MF only   -/- -/-       cine mod adding a standardized front ring with filter thread to all ZE models, 32-pitch focus gear (delrin, non-removable); aperture stays untouched in control of the body (no manual control ring) and is not de-clicked  
Duclos Lenses Zeiss ZF.2 Lens Set/Pro Set         ana./dig. limited includes ZF.2 2.8/21, 2/28 (older Lens Set only), 2/25 (newer Pro Set only), 1.4/35, 2/50 Macro and 1.4/85 77 80       MF only   -/- -/-     ?/2012 comes as a set of 5 lenses in an outdoor case; Leitax EF mount option; basically same mod as above, but the iris is de-clicked and damped (no aperture gear though)  
Duclos Lenses Zeiss ZF.2 Speed Lens Set         ana./dig. limited includes ZF.2 1.4/35, 1.4/50 and 1.4/85 77 80       MF only   -/- -/-     2012 comes in an outdoor case; Leitax EF mount option  
  • Duclos mainly offers custom modifications, but also some stock of new modified lenses. With the exception of the Tokina they do not offer complete rehousings, basically it's just about adding the front ring, focus gear, iris de-clicking if applicable and if needed a mount conversions with Leitax mounts. Among the lenses they recommend for custom modifications to use for cine applications are Zeiss ZF, Leica R, older Nikon AiS and Zeiss Contax.
G.L Optics Series II 11-16 Compact Wide Zoom         APS-C limited       22       30   95   fixed   MF only           as of 2015 based on Tokina's 11-16mm f/2.8 DX AT-X 116 AF PRO II  
GL Optix 11-20 T3.0 Compact Wide Zoom                 32       30   95       MF only | IF           2015* *ready to preorder, announced for NAB 2015; based on Tokina's 11-20mm f/2.8 DX AT-X AF PRO  
G.L Optics 16-28 Compact Zoom Lens         ana./dig. limited 8K     22       27   95       MF only | IF           as of 2015 based on Tokina's 16-28mm f/2.8 SD FX AT-X AF PRO  
G.L Optics/GLOptix 18-35 Super Speed Zoom         APS-C limited       16     declicked   77 95       MF only | IF 120 or 300*         as of 2015 *both versions available (300° version costs 850$ extra); based on Sigma's 18-35mm f/1.8 DC HSM Art [210]  
G.L Optics 19                           77 95       MF only 120         as of 2015 part of the Leica R Super Speed and Standard Speed Sets; based on Leica R 19mm, max. aperture is F2.8; sets come in flight case  
GLOptix 21 Prime Lens         ana./dig. limited 8K     22       21   95       MF only 330         as of 2015 optionally part of the Zeiss Regular/Standard Speed Set (feature identical aperture and focus ring positions); based on Zeiss Contax, max. aperture is F2.8; sets come in flight case  
GLOptix 25 Prime Lens         ana./dig. limited 8K     22       23   95       MF only 330         as of 2015 part of the Zeiss Regular/Standard Speed Set (feature identical aperture and focus ring positions); based on Zeiss Contax, max. aperture is F2.8; sets come in flight case  
G.L Optics 28                           77 95       MF only 330         as of 2015 part of the Leica R Super Speed and Standard Speed Sets; based on Leica R 28mm, max. aperture is F2.8; sets come in flight case  
G.L Optics 35                           77 95       MF only 330         as of 2015 part of the Leica R Standard Speed Set; based on Leica R 35mm, max. aperture is F2.0; sets come in flight case  
G.L Optics 35                           77 95       MF only 330         as of 2015 part of the Leica R Super Speed Set; based on Leica R 35mm, max. aperture is F1.4; sets come in flight case  
GLOptix 35 Prime Lens         ana./dig. limited 8K     22       32   95       MF only 330         as of 2015 part of the Zeiss Regular/Standard Speed Set (feature identical aperture and focus ring positions); based on Zeiss Contax, max. aperture is F2.8; sets come in flight case  
GLOptix Super Speed Series 35 Prime Lens         ana./dig. limited       16       25   95       MF only           as of 2015 based on Sigma's 35mm f/1.4 DG HSM Art [340]  
G.L Optics 50                           77 95       MF only 330         as of 2015 part of the Leica R Standard Speed Set; based on Leica R 50mm, max. aperture is F2.0; sets come in flight case  
G.L Optics 50                           77 95       MF only 330         as of 2015 part of the Leica R Super Speed Set; based on Leica R 50mm, max. aperture is F1.4; sets come in flight case  
GLOptix 50 Prime Lens         ana./dig. limited 8K     16       40   95       MF only 330         as of 2015 part of the Zeiss Regular/Standard Speed Set (feature identical aperture and focus ring positions); based on Zeiss Contax, max. aperture is F1.4; sets come in flight case  
GLOptix Super Speed Series 50 Prime Lens         ana./dig. limited       16           95       MF only           as of 2015 based on Sigma's 50mm f/1.4 DG HSM Art [311]  
GLOptix 50-100 Super Speed Zoom                           82 95       MF only 120 or 260*         2016 *both versions available (260° version costs 1000$ extra); based on Sigma's 50-100mm f/1.8 DC HSM | Art  
GLOptix 70-200 Compact Zoom Series         ana./dig. limited       32           95   fixed 2500 MF only           as of 2015 based on a Canon 70-200 f/2.8 (FD/EF?); comes with outdoor case and removable rig mounting ring  
G.L Optics 80                           77 95       MF only 330         as of 2015 part of the Leica R Standard Speed Set; based on Leica R 80mm, max. aperture is F2.0; sets come in flight case  
G.L Optics 80                           77 95       MF only 330         as of 2015 part of the Leica R Super Speed Set; based on Leica R 80mm, max. aperture is F1.4; sets come in flight case  
GLOptix 85 Prime Lens         ana./dig. limited 8K     22       110   95       MF only 330         as of 2015 part of the Zeiss Regular/Standard Speed Set (feature identical aperture and focus ring positions); based on Zeiss Contax, max. aperture is F2.8; sets come in flight case  
GLOptix 85 Prime Lens         ana./dig. limited 8K     16           95       MF only 330         as of 2015 optionally part of the Zeiss Regular/Standard Speed Set (feature identical aperture and focus ring positions); based on Zeiss Contax, max. aperture is F1.4; sets come in flight case  
G.L Optics 100 Macro Lens         ana./dig. limited     1:1 32           95       MF only           as of 2015 based on Tokina's 100mm f/2.8 Macro AT-X M100 AF D PRO  
G.L Optics 135                           77 95       MF only 330         as of 2015 part of the Leica R Super Speed and Standard Speed Sets; based on Leica R 135mm, max. aperture is F2.8; sets come in flight case  
G.L Optics 135         ana./dig. limited       22           95       MF only           as of 2015 based on Canon's EF 135mm f/2.0L USM  
GLOptix 200 Macro Lens         ana./dig. limited       22           95   fixed   MF only           as of 2015 base lens not specified, max. aperture is F4 (Nikon?)  
GLOptix 200 Telephoto Lens         ana./dig. limited       32           95       MF only           as of 2015 based on Canon's FD 200mm f/2.8  
G.L Optics 300 Prime Lens         ana./dig. limited       32           114       MF only           as of 2015 based on Canon's FD 300mm f/2.8; comes with outdoor case and removable rig mounting ring  
  • G.L Optics offer complete cine rehousings of several OEM still photography lenses (see comments above for details). The rehousings are made from 6063 aluminum, mounts are stainless steel. PL mount is standard but interchangeable, with Canon EF or Nikon mounts being the options. The website currently - as of 2015.03 - specifies this only for the 18-35, though on request at least EF mount availability was confirmed for all of them. CineGearPro also offers the lenses in both PL and EF mounts - or the EF mount as accessory.
  • The lenses feature 0.8 module gear and dual sided scales in either feet or meters.
Hartblei 35mm f/2.8 TS-PC MC Digital Super-Rotator   Print Hartblei 35mm f/2.8 TS-PC MC Digital Super-Rotator Cine-Mod Specifications     ana./dig. limited   54   22 12     20 82   91 102 830 MF only   -/- -/-   metal, screw-in, round HB Kiev 2012 tilt range = 8°, shift range = 10mm (12mm?), rotation over full 360°; includes a panoramic tripod head and a gear driven follow focus  
Hartblei 45mm f/3.5 TS-PC MC Digital Super-Rotator   Print Hartblei 45mm f/3.5 TS-PC MC Digital Super-Rotator Cine-Mod Specifications     ana./dig. limited   44   22 12     29 82   96 110 900 MF only   -/- -/-   metal, screw-in, round HB Kiev 2010 tilt range = 8°, shift range = 12mm, rotation over full 360°; includes a panoramic tripod head and a gear driven follow focus  
Hartblei 80mm f/2.8 TS-PC MC Digital Super-Rotator Cine-Mod   Print Hartblei 85mm f/2.8 TS-PC MC Digital Super-Rotator Cine-Mod Specifications     ana./dig. limited   25   22 12     65 72   88 80 660 MF only   -/- -/-     HB Kiev 2010 tilt range = 8°, shift range = 10mm (12mm?), rotation over full 360°; to tell from the product pictures, they have a gear on the focus ring; sells on ebay with tripod mount clamp included  
  • The Hartblei lenses are completely non-electronical and feature the same anti-flare casing that were developed for the Zeiss-Hartblei prototypes (deep black matte interior ...).
Hartblei-Zeiss 40mm f/4.0 IF TS Super-Rotator         ana./dig. limited   49                                   2012    
Hartblei-Zeiss 80mm f/2.8 TS Super-Rotator         ana./dig. limited   25                                   2012    
Hartblei-Zeiss 120mm f/4.0 Makro TS Super-Rotator         ana./dig. limited   17                                   2012    
  • It's difficult to find any info here. Press release came in 2010, but except for the price list they are not further mentioned on the website. They feature module 0.8 gears identical to Zeiss CP.2. Refer to Still Lenses C/EF > Other Brands for technical specs of the standard versions.
IB/E Optics 100mm T2.9* Apo Cine Macro         ana./dig. limited     1:1 22 9     31   95   145 ~1500 MF only | IF ~300           *max. aperture is reduced to T5.3 at close focus  
IB/E Optics 150mm T2.9* Apo Cine Macro         ana./dig. limited     1:1 22 9     38   95   145 ~1900 MF only | IF ~300           *max. aperture is reduced to T5.3 at close focus  
IB/E Optics 180mm T2.9* Apo Cine Macro         ana./dig. limited     1:1 22 9     47   95   200 ~2900 MF only | IF ~300           *max. aperture is reduced to T5.3 at close focus  
  • In the photography business IB/E is primarily known for the HandeVision Ibelux. Now IB/E is another company offering lenses with exchangeable Universal Lens Mount (i.e. see P+S below). Mount options include Canon EF, PL mount, Nikon F, Sony E and more. The lenses are completely non-electronical, only optionally support /i-Technology and Service Data Readout (SDR). Distances from flange to iris and focus control rings are consistent throughout the series for easy lens switching, control rings feature Standard 0.8 gear pitch. The lenses come with dual-sided scales. The series was introduced at Band Pro One World Open House 2015. They are up for preorder, presented samples seem to have been prototypes. Delivery dates are not mentioned in detail.
P+S Technik 18-35mm T2.0 PS-Zoom [#30530/30550]         Super 35 limited       22           80   121 1100 MF only | IF 250 yes       2015 based on Sigma AF 18-35mm f/1.8 DC HSM | Art optics; dedicated trolley [#30687] and alluminum lens case [#30686] available  
  • P+S Zoom features the P+S IMS interchangeable mount system. IMS is a totally dumb, but allows to switch between mounts like you were used to do with T or Adaptall mount. Mounts are available for Canon EF [#30683], MFT, PL and E mount. The lens also features interchangeable scales (metric/imperial). Gears are module 0.8.
PrimeCircle XE 15mm f/2.8   Print PrimeCircle XE 15mm f/2.8 Specifications     ana./dig. limited 4K 100   22       25 90 95/114 116 113 1031 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2013 came with front mounts of Ø 95mm and 114mm  
PrimeCircle XM 15mm f/2.8   Print PrimeCircle XM 15mm f/2.8 Specifications     ana./dig. limited 4K 100   22       25 90 95/114 116 113 1031 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2014 comes with front mounts of Ø 95mm and 114mm  
PrimeCircle XT 15mm f/2.8   Print PrimeCircle XT 15mm f/2.8 Specifications     ana./dig. limited 4K 100   22     de-clicked 25 90 95/114 116 113 1028 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2012 came with front mounts of Ø 95mm and 114mm  
PrimeCircle XT 18mm f/3.5   Print PrimeCircle XT 18mm f/3.5 Specifications     ana./dig. limited 4K 90   22     de-clicked 30 90 95 97 95 780 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2012    
PrimeCircle XE 21mm f/2.8   Print PrimeCircle XE 21mm f/2.8 Specifications     ana./dig. limited 4K 81   22       22 90 95 97 122 1031 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2013    
PrimeCircle XM 21mm f/2.8   Print PrimeCircle XM 21mm f/2.8 Specifications     ana./dig. limited 4K 81   22       22 90 95 97 122 1031 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2014    
PrimeCircle XT 21mm f/2.8   Print PrimeCircle XT 21mm f/2.8 Specifications     ana./dig. limited 4K 81   22     de-clicked 22 90 95 97 122 849 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2012    
PrimeCircle XE 25mm f/2.0   Print PrimeCircle XE 25mm f/2.0 Specifications     ana./dig. limited 4K 71   22 9 rounded   25 90 95 97 108 894 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2013    
PrimeCircle XM 25mm f/2.0   Print PrimeCircle XM 25mm f/2.0 Specifications     ana./dig. limited 4K 71   22 9 rounded   25 90 95 97 108 894 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2014    
PrimeCircle XT 25mm f/2.0   Print PrimeCircle XT 25mm f/2.0 Specifications     ana./dig. limited 4K 71   22 9 rounded de-clicked 25 90 95 97 108 840 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2012    
PrimeCircle XE 28mm f/2.0   Print PrimeCircle XE 28mm f/2.0 Specifications     ana./dig. limited 4K 65   22       24 90 95 97 106 876 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2013    
PrimeCircle XM 28mm f/2.0   Print PrimeCircle XM 28mm f/2.0 Specifications     ana./dig. limited 4K 65   22       24 90 95 97 106 876 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2014    
PrimeCircle XT 28mm f/2.0   Print PrimeCircle XT 28mm f/2.0 Specifications     ana./dig. limited 4K 65   22     de-clicked 24 90 95 97 106 776 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2012    
PrimeCircle XE 35mm f/1.4   Print PrimeCircle XE 35mm f/1.4 Specifications     ana./dig. limited 4K 54   16 9 rounded   30 90 95 97 132 1135 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2013    
PrimeCircle XM 35mm f/1.4   Print PrimeCircle XM 35mm f/1.4 Specifications     ana./dig. limited 4K 54   16 9 rounded   30 90 95 97 132 1335* MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2014 *most likely a copy/paste error in the 2014's spec sheet expected to read 1135g  
PrimeCircle XT 35mm f/1.4   Print PrimeCircle XT 35mm f/1.4 Specifications     ana./dig. limited 4K 54   16 9 rounded de-clicked 30 90 95 97 132 1081 MF only | IF   -/- -/-   Mat Box (optional) LockCircle 2012    
PrimeCircle XE 50mm f/1.4   Print PrimeCircle XE 50mm f/1.4 Specifications     ana./dig. limited 4K 38   16 9 rounded   45 90 95 97 101 652 MF only | IF   -/- -/-   Mat Box (optional) LockCircle 2013    
PrimeCircle XM 50mm f/1.4   Print PrimeCircle XM 50mm f/1.4 Specifications     ana./dig. limited 4K 38   16 9 rounded   45 90 95 97 132 652 MF only | IF   -/- -/-   Mat Box (optional) LockCircle 2014    
PrimeCircle XT 50mm f/1.4   Print PrimeCircle XT 50mm f/1.4 Specifications     ana./dig. limited 4K 38   16 9 rounded de-clicked 45 90 95 97 101 597 MF only | IF   -/- -/-   Mat Box (optional) LockCircle 2012    
PrimeCircle XE 50mm f/2.0 Makro   Print PrimeCircle XE 50mm f/2.0 Makro Specifications     ana./dig. limited 4K 38   22       24 90 95 97 101 845 MF only | IF   -/- -/-   Mat Box (optional) LockCircle 2013    
PrimeCircle XT 50mm f/2.0 Makro   Print PrimeCircle XT 50mm f/2.0 Makro Specifications     ana./dig. limited 4K 38 1:2 22 9 rounded de-clicked 24 90 95 97 101 770 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2012    
PrimeCircle XE 85mm f/1.4   Print PrimeCircle XE 85mm f/1.4 Specifications     ana./dig. limited 4K 24   16 9 rounded   100 90 95 97 88 907 MF only | IF   -/- -/-   Mat Box (optional) LockCircle 2013    
PrimeCircle XM 85mm f/1.4   Print PrimeCircle XM 85mm f/1.4 Specifications     ana./dig. limited 4K 24   16 9 rounded   100 90 95 97 88 907 MF only | IF   -/- -/-   Mat Box (optional) LockCircle 2014    
PrimeCircle XT 85mm f/1.4   Print PrimeCircle XT 85mm f/1.4 Specifications     ana./dig. limited 4K 24   16 9 rounded de-clicked 100 90 95 97 88 807 MF only | IF   -/- -/-   Mat Box (optional) LockCircle 2012    
PrimeCircle XE 100mm f/2.0 Makro   Print PrimeCircle XE 100mm f/2.0 Makro Specifications     ana./dig. limited 4K 21   22       44 90 95 97 125 1080 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2013    
PrimeCircle XM 100mm f/2.0 Makro   Print PrimeCircle XM 100mm f/2.0 Makro Specifications     ana./dig. limited 4K 21   22       44 90 95 97 125 1080 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2014    
PrimeCircle XT 100mm f/2.0 Makro   Print PrimeCircle XT 100mm f/2.0 Makro Specifications     ana./dig. limited 4K 21 1:2 22     de-clicked 44 90 95 97 125 946 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2012    
PrimeCircle XE 135mm f/2.0 Apochromatic   Print PrimeCircle XE 135mm f/2.0 Apochromatic Specifications     ana./dig. limited 4K 15.6   22 9 rounded   80 90 95 97 140 1330 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2013    
PrimeCircle XM 135mm f/2.0 Apochromatic   Print PrimeCircle XM 135mm f/2.0 Apochromatic Specifications     ana./dig. limited 4K 15.6   22 9 rounded   80 90 95 97 140 1330 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle 2014    
PrimeCircle XT 135mm f/2.0 Apochromatic   Print PrimeCircle XT 135mm f/2.0 Apochromatic Specifications     ana./dig. limited 4K 15.6   22 9 rounded   80 90 95 97 140 1330 MF only | IF (FLE)   -/- -/-   Mat Box (optional) LockCircle    
  • The PrimeCircle XT mods were based on ZF.2 lenses using the patented X-Circle EF Mount with Cine Lock (dumb mechanical mount). All lenses feature Side View Index (sideways orientation of aperture and focus scales) and a focus gear of 0.8 Mod standard.
  • It was possible just to buy an XT conversion kit for your lens including the 95mm front ring, a focus ring attachment with gear, the mount and lens caps, but the results will look and be different from the factory mods. Optically they put a labeled cladding tube between focus and front ring. Mechanically they add aperture de-clicking and ring dampening, the mount is interchangeable (N/F and C/EF).
  • PrimeCircle's XE series were cine conversions based on Zeiss ZE lenses. Their electronic aperture control was retained during the process. The lenses are equipped with Mod 0.8 standard gears for focus control. Standard finish is black, but there is a special Silver Series available as well.
  • The XM series is a composition of Zeiss ZF/ZE glass in fully custom designed cine housings. The lenses come in either black or silver, with engraved Dual Side View Index scales - either metric or imperial (fluorescent imprints possible on special request). The Series was built as economical alternative to the Zeiss lenses and comes with an interchangeable mount - N/F and C/EF - and so far no word was lost on electronic coupling for EF, so I guess there is none. 0.8 Mod standard gears on focus and aperture control rings.
  • The lenses are sold separately as well as in several different sets packed in one, two or even three hard cases (Prime Circle Flight Cases). Cases are available for single lenses (#PCFC1, 258 x 230 x 170mm), 2 lenses (#PCFC2, 237 x 182 x 155mm), 4 lenses (#PCFC4, 375 x 265 x 152mm), 6 lenses (#PCFC6, 409 x 306 x 175mm) and 8 lenses (#PCFC8, 480 x 360 x 198mm) as well as there is a trolley for 8 lenses (#PCFC8T, 285 x 510 x 199), all using the same dedicated foam lens bases (foam inserts - #LFB15, #LFB18, #LFB21, #LFB25, #LFB28, #LFB35, #LFB50, #LFB50M, #LFB85, #LFB100M and #LFB135).
  • The 90mm filter thread takes Prime Circle 90 Series step-down adapter rings.
Rokinon V-DSLR 8mm T3.8 Fish-Eye [RK8MV-C]   Print Rokinon V-DSLR 8mm T3.8 Aspherical IF MC Fish-Eye Specifications   APS-C limited   167 diag.   22 6 polygonal stepless 30   75   77.3 418 MF only | IF   -/- -/-   built-in, flower Samyang 2012    
Rokinon V-DSLR 8mm T3.8 UMC Fish-Eye CS II [RKHD8MV-C] Print Rokinon V-DSLR 8mm T3.8 Aspherical IF MC Fish-Eye CS II Specifications   APS-C limited   167 diag.   22 6 polygonal stepless 30   75   75.1 455 MF only | IF   -/- -/-   bayonet, flower Samyang 2012    
Rokinon V-DSLR 10mm T3.1 ED AS NCS CS CA [CV10M-C]
Rokinon Cine DS 10mm T3.1 ED AS NCS CS II CA [DS10M-C]
Print Rokinon V-DSLR CS/Cine DS CS II 10mm T3.1 ED AS NCS Specifications   APS-C limited   95.5   22 6 rounded stepless 24 -/-   87 106.1 600 MF only | IF   -/- -/-   built-in, flower Samyang 2014    
Rokinon Cine DS 12mm T3.1 ED AS (NCS*) UMC II Fish-Eye [DS12M-C]   Print Samyang Cine DS 12mm T3.1 ED AS NCS UMC II Fish-Eye Specifications   ana./dig. limited   180 diag.   22 7 rounded stepless 20 -/-   81.6 72.7 525 MF only | IF   -/- -/-   bayonet, flower Samyang 2014 *NCS according to announcement, UMC according to product pictures, "[highly] effective nanocrystal anti-reflection (NCS) coating applied together with UMC coatings improve light transmission and reduce ghosting" according to B&H  
Rokinon V-DSLR 14mm T3.1 ED AS IF UMC EOS [CV14M-C]
Rokinon Cine DS 14mm T3.1 ED AS IF UMC II CA [DS14M-C]
Print Rokinon V-DSLR UMC/Cine DS UMC II 14mm T3.1 ED AS IF Specifications ana./dig. limited   105.8   22 6 polygonal stepless 28 none, use SFH-14 87   96.1 620 MF only | IF ~240 -/- -/-   bayonet, flower Samyang 2012
Samyang 2014
   
Rokinon V-DSLR 16mm T2.2 ED AS UMC CS CA [CV16M-C]
Rokinon Cine DS 16mm T2.2 ED AS UMC CS II CA [DS16M-C]
Print Rokinon V-DSLR CS/Cine DS CS II 16mm T2.2 ED AS UMC CA Specifications   APS-C limited   69.4   22 8   stepless 20 77 83   89.4 590 MF only | IF   -/- -/-   bayonet, flower Samyang 2013
Samyang 2014
   
Rokinon Cine DS 20mm T1.9 ED AS UMC CA         ana./dig. limited       22 7 rounded stepless 20 77 83   88.4 518 MF only   -/- -/-   bayonet, flower Samyang 2016    
Rokinon V-DSLR 24mm T1.5 ED AS IF UMC EOS [CV24M-C]
Rokinon Cine DS 24mm T1.5 ED AS IF UMC II CA [DS24M-C]
Print Rokinon V-DSLR UMC/Cine DS UMC II 24mm T1.5 ED AS IF Specifications ana./dig. limited   73.8   22 8 polygonal stepless 25 77 83   97.5 615 MF only 140 -/- -/-   bayonet, flower Samyang 2012
Samyang 2014
   
Rokinon V-DSLR 35mm T1.5 AS UMC EOS [CV35-C]
Rokinon Cine DS 35mm T1.5 AS UMC II CA [DS35M-C]
Print Rokinon V-DSLR UMC/Cine DS UMC II 35mm T1.5 AS Specifications ana./dig. limited   54.1   22 8   stepless 30 77 83   111.5 700 MF only   -/- -/-   bayonet, flower Samyang 2012
Samyang 2014
   
Rokinon Cine DS 50mm T1.5 AS UMC II CA [DS50M-C] Print Rokinon Cine DS 50mm T1.5 AS UMC II Specifications   ana./dig. limited   39.1   22 8 rounded stepless 45 77 81.6   74.7 575 MF only   -/- -/-   bayonet, flower Samyang 2014    
Rokinon V-DSLR 85mm T1.5 AS IF UMC EOS [CV85M-C]
Rokinon Cine DS 85mm T1.5 AS IF UMC II CA [DS85M-C]
Print Rokinon V-DSLR UMC/Cine DS UMC II 85mm T1.5 AS IF UMC Specifications ana./dig. limited   23.7   22 8   stepless 110 72 78   74.7 580 MF only   -/- -/-   bayonet, round Samyang 2013    
Rokinon Cine DS 100mm T3.1 ED UMC Macro CA [DS...-C] Print Rokinon Cine DS 100mm T3.1 ED UMC Macro Specifications     ana./dig. limited   24.8 1:1 32 9 rounded stepless 31 67   81.6 123.1 725 MF only   -/- -/-   bayonet, round ann. in 04.2015    
Rokinon Cine DS 135mm T2.2 ED UMC II [DS135M-C]   Print Rokinon Cine DS 135mm T2.2 ED UMC II Specifications   ana./dig. limited   15.7   22 9 rounded stepless 80 77   82 122.1 835 MF only | FLE   -/- -/-   bayonet, round ann. in 01.2015    
  • Rokinon's cine lenses are based on the standard lenses for still photography, but optimized for video applications. This includes follow focus gears, aperture declicking and the relocation of scales to the side of the lenses.
  • The Rokinon Cine DS Series was introduced in 2014 as their 2nd generation line of VDSLR lenses. They are color matched and feature unified gear positions among all lenses as well as focusing scales on both sides of the lens (DS = Dual Scale).
  • Refer to Still Lenses C/EF > Samyang for a list of Rokinon photography lenses.
RPlens Canon FD Standard Speed Set         ana./dig. limited includes FD 2/24, 2/35, 1.4/50, 1.8/85 and 2/100     de-clicked     80 and 95       MF only   -/- -/-          
RPlens Canon FD Hi-Speed L Set         ana./dig. limited includes FD 1.4/24, 1.2/50 and 1.2/85L     de-clicked     80 and 95       MF only   -/- -/-       the set can be extended by adding non-L lenses like FD 2/35 and 2/135  
RPlens Nikon Standard Speed Set         ana./dig. limited includes 2/24, 2/35, 1.4/50, 2/85 and 2.5/105     de-clicked     80 and 95       MF only   -/- -/-          
RPlens Nikon Hi-Speed Set         ana./dig. limited includes 1.4/35, 1.2/50 and 1.4/85     de-clicked     80 and 95       MF only   -/- -/-          
RPlens Zeiss ZF Set         ana./dig. limited includes 2.8/25, 2/35, 1.4/50 and 1.4/85     de-clicked     80 and 95       MF only   -/- -/-          
  • The RPlens mods include aperture de-clicking, a dampened focus ring, 32 pitch focus gear (delrin, press-fit), black aluminum front ring and a push-on cap. The lenses can be ordered with any lens mount, Canon EF only being one of them, or left in original mount and be used with commonly available adapters.
Samyang V-DSLR 8mm 1:3.5 Fish-Eye CS EOS         APS-C limited   167 diag.   22 6 polygonal stepless 30 -/- 95 95 77.3 475 MF only | IF   -/- -/-   none* ann. in 2011** *lens hood gone in favor of a huge 95mm front ring; **first and only model contained in the 2011's Catalog announcing the back then upcomming VDSLR series - as far as I can tell this version never made it into the market  
Samyang V-DSLR 8mm T3.8 Fish-Eye CS EOS [SY8MV-C]   Print Samyang V-DSLR 8mm T3.8 Aspherical IF MC Fish-Eye Specifications APS-C limited   167 diag.   22 6 polygonal stepless 30 -/- 75   77.3 418 MF only | IF   -/- -/-   built-in, flower 2012 also sold by Rokinon and Walimex  
Samyang V-DSLR 8mm T3.8 UMC Fish-Eye CS II EOS [SYHD8MV-C] Print Samyang V-DSLR 8mm T3.8 Aspherical IF MC Fish-Eye CS II Specifications APS-C limited   167 diag.   22 6 polygonal stepless 30 -/- 75   75.1 455 MF only | IF   -/- -/-   bayonet, flower 2012 also sold by Bower, Rokinon and Walimex  
Samyang V-DSLR 8mm T3.8 UMC Fish-Eye CS II CA   Print Samyang V-DSLR 8mm T3.8 UMC Fish-Eye CS II CA Specifications APS-C limited   167 diag.   22 6 polygonal stepless 30 -/- 77.8   75.1 455 MF only | IF   -/- -/-   bayonet, flower 2014    
Samyang V-DSLR 10mm T3.1 ED AS NCS CS [SYCV10M-C]
Samyang V-DSLR 10mm T3.1 ED AS NCS CS II CA
Print Samyang V-DSLR 10mm T3.1 ED AS NCS CS Specifications APS-C limited   95.5   22 6 rounded stepless 24 -/-   87 106.1 600 MF only | IF   -/- -/-   built-in, flower 2014 also sold by Rokinon and Walimex  
Samyang V-DSLR 12mm T3.1 ED AS NCS Fish-Eye CS II CA   Print Samyang V-DSLR 12mm T3.1 ED AS NCS Fish-Eye CS II CA Specifications     ana./dig. limited   180 diag.   22 7 rounded stepless 20 -/-   81.6 72.7 525 MF only | IF   -/- -/-   bayonet, flower 2015 also sold by Rokinon and Walimex  
Samyang V-DSLR 14mm T3.1 ED AS IF UMC EOS [SY14V-C][SYCV14M-C]
Samyang V-DSLR 14mm T3.1 ED AS IF UMC II CA
Print Samyang V-DSLR 14mm T3.1 ED AS IF UMC Specifications ana./dig. limited   105.8   22 6 polygonal stepless 28 none, use SFH-14 87   96.1 620 MF only | IF ~240 -/- -/-   bayonet, flower 2012
2014
also sold as Bower, Rokinon and Walimex  
Samyang V-DSLR 16mm T2.6 ED AS UMC CA         ana./dig. limited   106.9   22 9 rounded stepless 30     81.6 96.1 530 MF only | IF   -/- -/-   flower coming 06.2017    
Samyang V-DSLR 16mm T2.2 ED AS UMC CS CA [SYCV16M-C] Print Samyang V-DSLR 16mm T2.2 ED AS UMC CS Specifications APS-C limited   69.4   22 8   stepless 20 77 83   89.4 590 MF only | IF   -/- -/-   bayonet, flower 2013 also sold as Bower, Rokinon and Walimex  
Samyang V-DSLR 20mm T1.9 ED AS UMC CA         ana./dig. limited       22 7 rounded stepless 20 77 83   88.4 518 MF only   -/- -/-   bayonet, flower 2016 also sold by Rokinon  
Samyang V-DSLR 24mm T1.5 ED AS IF UMC EOS [SY24V-C][SYCV24M-C]
Samyang V-DSLR 24mm T1.5 ED AS IF UMC II CA
Print Samyang V-DSLR 24mm T1.5 ED AS IF UMC Specifications ana./dig. limited   73.8   22 8 polygonal stepless 25 77 83   97.5 615 MF only 140 -/- -/-   bayonet, flower 2012
2014
also sold as Bower, Rokinon and Walimex  
Samyang V-DSLR 35mm T1.5 AS UMC EOS [SY35V-C][SYCV35M-C]
Samyang V-DSLR 35mm T1.5 AS UMC II CA
Print Samyang V-DSLR 35mm T1.5 AS UMC Specifications ana./dig. limited   54.1   22 8   stepless 30 77 83   111.5 700 MF only   -/- -/-   bayonet, flower 2012
2014
also sold as Bower, Rokinon and Walimex  
Samyang V-DSLR 50mm T1.5 AS UMC CA [SYDS50M-C]   Print Samyang V-DSLR 50mm T1.5 AS UMC CA Specifications   ana./dig. limited   39.1   22 8 rounded stepless 45 77 81.6   74.7 575 MF only   -/- -/-   bayonet, flower 2014 also sold as Rokinon and Walimex PhotoZone tested on EOS 5D Mark II
Samyang V-DSLR 85mm T1.5 AS IF UMC EOS [SY85V-C][SYCV85M-C]
Samyang V-DSLR 85mm T1.5 AS IF UMC II CA
Print Samyang V-DSLR 85mm T1.5 AS IF UMC Specifications ana./dig. limited   23.7   22 8   stepless 110 72 78   74.7 580 MF only   -/- -/-   bayonet, round 2013
2014
also sold as Bower, Rokinon and Walimex  
Samyang V-DSLR 100mm T3.1 ED UMC Macro CA [SYDS...-C] Print Samyang V-DSLR 100mm T3.1 ED UMC Macro Specifications     ana./dig. limited   24.8 1:1 32 9 rounded stepless 31 67   81.6 123.1 725 MF only   -/- -/-   bayonet, round ann. in 04.2015    
Samyang V-DSLR 135mm T2.2 ED UMC CA [SYDS135M-C] Print Samyang V-DSLR 135mm T2.2 ED UMC CA Specifications     ana./dig. limited   15.7   22 9 rounded stepless 80 77   82 122.1 835 MF only | FLE   -/- -/-   bayonet, round ann. in 01.2015 will also sell under Rokinon and Walimex brands PhotoZone tested on EOS 5D Mark II
  • Samyang's cine lenses are based on their still photography lenses, but are optimized for video applications. This includes aperture declicking, relocation of scales to the side of the lenses and follow focus gears.
  • Samyang V-DSLR CS II/UMC II Series was introduced in 2014 as 2nd generation line of VDSLR lenses. They are color matched and feature unified gear positions to allow a faster swap of lenses. Although not labeled accordingly, by following the product IDs the T1.5/50, T3.1/100 Macro as well as the T2.2/135 should be manufactured according to the standards of the CS II/UMC II series as well.
  • Refer to Still Lenses C/EF > Samyang for a list of Samyang photography lenses and all its rebadges.
Schneider-Kreuznach 14mm T2.2 Cine-Xenar III   Print Schneider-Kreuznach 14mm T2.2 Cine-Xenar III Specifications     APS-H limited 5K     16 18 circular     100 104 110 151.5   MF only | IF 270 -/- -/-     2014    
Schneider-Kreuznach 18mm T2.4 Xenon FF-Prime         ana./dig. limited 4K 89   22 14 circular stepless 40 -/- 100   130.2 1390 MF only | IF   -/- -/-     ann. in 2014    
Schneider-Kreuznach 18mm T2.2 Cine-Xenar III   Print Schneider-Kreuznach 18mm T2.2 Cine-Xenar III Specifications     APS-H limited 5K 75   16 18 circular   26 100 104 110 151.5 2060 MF only | IF 270 -/- -/-     2012    
Schneider-Kreuznach 25mm T2.2 Cine-Xenar II   Print Schneider-Kreuznach 25mm T2.2 Cine-Xenar II Specifications     APS-H limited 4K 58   16 14 circular   26 100 104   166 2310 MF only | SH   -/- -/-     2010    
Schneider-Kreuznach 25mm T2.2 Cine-Xenar III   Print Schneider-Kreuznach 25mm T2.2 Cine-Xenar III Specifications     APS-H limited 5K 58   16 18 circular   26 100 104 110 151.5 1890 MF only | IF 270 -/- -/-     2012    
Schneider-Kreuznach 25mm T2.1 Xenon FF-Prime   Print Schneider-Kreuznach 25mm T2.1 Xenon FF-Prime Specifications     ana./dig. limited 4K 72   22 14 circular stepless 31 95 100 100 130.2 1300 MF only   -/- -/-     2013 initially introduced at Photokina 2012 as Video-Xenon Series  
Schneider-Kreuznach 35mm T2.1 Cine-Xenar II   Print Schneider-Kreuznach 35mm T2.1 Cine-Xenar II Specifications     APS-H limited 4K 43   16 14 circular   35 100 104   166 2200 MF only | SH   -/- -/-     2010    
Schneider-Kreuznach 35mm T2.1 Cine-Xenar III   Print Schneider-Kreuznach 35mm T2.1 Cine-Xenar III Specifications     APS-H limited 5K 43   16 18 circular   35 100 104 110 151.5 1830 MF only | IF 270 -/- -/-     2012    
Schneider-Kreuznach 35mm T2.1 Xenon FF-Prime   Print Schneider-Kreuznach 35mm T2.1 Xenon FF-Prime Specifications     ana./dig. limited 4K 54   22 14 circular stepless 35 95 100 100 130.2 1100 MF only   -/- -/-     2013    
Schneider-Kreuznach 50mm T2.1 Xenon FF-Prime   Print Schneider-Kreuznach 50mm T2.1 Xenon FF-Prime Specifications     ana./dig. limited 4K 54   22 14 circular stepless 50 95 100 100 130.2 1100 MF only   -/- -/-     2013 initially introduced at Photokina 2012 as Video-Xenon Series  
Schneider-Kreuznach 50mm T2.0 Cine-Xenar II   Print Schneider-Kreuznach 50mm T2.0 Cine-Xenar II Specifications     APS-H limited 4K 31   16 12 circular   35 100 104   166 1930 MF only | SH   -/- -/-     2010    
Schneider-Kreuznach 50mm T2.0 Cine-Xenar III   Print Schneider-Kreuznach 50mm T2.0 Cine-Xenar III Specifications     APS-H limited 5K 31   16 18 circular   35 100 104 110 151.5 1590 MF only | IF 270 -/- -/-     2012    
Schneider-Kreuznach 75mm T2.1 Xenon FF-Prime   Print Schneider-Kreuznach 75mm T2.1 Xenon FF-Prime Specifications     ana./dig. limited 4K 27   22 14 circular stepless 98 95 100 100 130.2 1100 MF only   -/- -/-     2013 initially introduced at Photokina 2012 as Video-Xenon Series  
Schneider-Kreuznach 75mm T2.0 Cine-Xenar II   Print Schneider-Kreuznach 75mm T2.0 Cine-Xenar II Specifications     APS-H limited 4K 21   16 12 circular   45 100 104   166 1970 MF only | SH   -/- -/-     2010    
Schneider-Kreuznach 75mm T2.0 Cine-Xenar III   Print Schneider-Kreuznach 75mm T2.0 Cine-Xenar III Specifications     APS-H limited 5K 21   16 18 circular   45 100 104 110 151.5 1690 MF only | IF 270 -/- -/-     2012    
Schneider-Kreuznach 95mm T2.0 Cine-Xenar II   Print Schneider-Kreuznach 95mm T2.0 Cine-Xenar II Specifications     APS-H limited 4K 17   16 18 circular   65 100 104   166 2150 MF only | SH   -/- -/-     2010    
Schneider-Kreuznach 95mm T2.0 Cine-Xenar III   Print Schneider-Kreuznach 95mm T2.0 Cine-Xenar III Specifications     APS-H limited 5K 17   16 18 circular   65 100 104 110 151.5 1810 MF only | IF 270 -/- -/-     2012    
Schneider-Kreuznach 100mm T2.1 Xenon FF-Prime   Print Schneider-Kreuznach 100mm T2.1 Xenon FF-Prime Specifications     ana./dig. limited 4K 20   22 14 circular stepless 100 95 100 100 130.2 1100 MF only   -/- -/-     2013    
Schneider-Kreuznach 135mm T2.1 Xenon FF-Prime       ana./dig. limited 4K 15   22 14 circular stepless 100 95 100   140.5 1300 MF only | IF   -/- -/-     ann. in 2014    
  • Cine-Xenar II lenses are a joint venture in cooperation with IB/E Optics. The lenses are referred to as MKII in their catalog, but don't have any MKII engravings or imprints on the lens. The lenses are color matched and feature gear rims module 0.8 with 130 teeth. 20mm wide follow focus gear is recommended. The lenses are available with interchangeable feet or metric distance scale.
  • Cine-Xenar III lenses are color matched. They feature focus gear rims module 0.8 with 123 teeth and iris gear rims mod. 0.8 with 118 teeth. The lenses are available with interchangeable feet or metric distance scale as well.
  • Mount options besides Canon EF includes PL mount. The mounts are interchangeable.
  • Refer to Still Lenses C/EF > Other Brands for a list of Schneider-Kreuznach lenses for still photography.
Sigma 14mm T2.0 FF High Speed Prime         analog/digital   104.3   16 9 rounded   27 -/- 95   119.5 1430     -/- -/-   built-in, flower ann. f. 06./07.2017 based on the Sigma AF 14mm f/1.8 DG HSM | Art  
Sigma 18-35mm T2.0 High Speed Zoom [210]         Super 35 8K 68.7 - 38.7   16 9 rounded   28 82 95   129.5 1445   180 no rotary     2016    
Sigma 20mm T1.5 FF High Speed Prime [412]         analog/digital   84.0   16 9 rounded   28 -/- 95   118 1335   180 -/- -/-     ann. for 05.2017    
Sigma 24mm T1.5 FF High Speed Prime [401]         analog/digital   73.7   16 9 rounded   25 82 95   95 1125   180 -/- -/-     ann. for 05.2017    
Sigma 24-35mm T2.2 FF Zoom [588]         analog/digital 8K 73.7 - 54.4   16 9 rounded   28 82 95   122.7 1440   180   rotary     ann. for 05.2017    
Sigma 35mm T1.5 FF High Speed Prime [340]         analog/digital   54.4   16 9 rounded   30 82 95   95 1135   180 -/- -/-     ann. for 05.2017    
Sigma 50mm T1.5 FF High Speed Prime [311]         analog/digital   39.6   16 9 rounded   40 82 95   102 1295   180 -/- -/-     ann. for 05.2017    
Sigma 50-100mm T2.0 High Speed Zoom [693]         Super 35 8K 27.6 - 14.0   16 9 rounded   95 82 95   175.2 1885   180 no rotary     2016    
Sigma 85mm T1.5 FF High Speed Prime [321]         analog/digital   23.9   16 9 rounded   85 86 95   134.5 1475   180 -/- -/-     ann. for 05.2017    
Sigma 135mm T2.0 FF High Speed Prime         analog/digital   15.2   16 9 rounded   88 82 95   126.4 1565     -/- -/-     ann. f. 06./07.2017 based on the Sigma AF 135mm f/1.8 DG HSM | Art  
  • Sigma cine lenses feature full metal barrels, dust and moisture sealings, luminous engravements, standardized gear ring positions and 0.8 type gears with identical control ring rotation angles (zoom 160°, T-stops 60°). They all come with removable lens support. Scales are exchangeable (against a service fee) from metric to imperial and the other way around.
  • The lenses further feature an electronic mount. Mount conversion service is available for all but PL mount lenses, and the EF mount lenses are compatible with Sigma's MC-11 EF-E mount adapter.
  • Refer to Still Lenses C/EF > Sigma for Sigma's lenses for still photography.
Technical Farm Canon EF 16-35mm f/2.8L II USM         analog/digital   97 - 54 1:4.5 22 7 rounded   28 82/R-Gel     111.6   IF   yes rotary yes EW-88 2011    
Technical Farm Canon EF 24-70mm f/2.8L USM         analog/digital   74 - 29 1:3.4 22 8 rounded   38 77     124   IF   yes rotary yes EW-83F 2011    
Technical Farm Canon EF 70-200mm f/2.8L IS II USM         analog/digital   29 - 10 1:4.8 32 8 rounded   120 77     199   IF   ? rotary yes ET-87 2011    
  • Technical Farm modified the Canon lenses above by adding an aperture control ring for manual control. Aiming at cinematographers, they also added gears for follow focus etc. to every control ring.
Tokina 11-16mm T3.0 AT-X [TC-116C] Print Tokina 11-16mm T3.0 AT-X Specifications     Super 35mm ltd. 4K   1:11.6 22 9 rounded stepless 35 77 84 84 91.7 (97.9) 690 MF only   yes rotary   BH-77A      
Tokina 16-28mm T3.0 AT-X [TC-168C] Print Tokina 16-28mm T3.0 AT-X Specifications     Super 35mm ltd. 4K 97 - 66 1:5.3 22 9 rounded stepless 28 112 114 123 135 (140.5) 1500 MF only | IF   yes rotary yes   2014 EF mount version was innitially announced for 11.2013, actual release according to Photokina staff followed in approx. 06.2014; feat. focus, zoom and aperture gears, scales to be read from aside  
Tokina 16-28mm T3.0 AT-X II   Print Tokina 16-28mm T3.0 AT-X II Specifications     ana./dig. limited 8K 97 - 66 1:5.3 22 9     28 112 114 114 135 (140.5) 1830 MF only | IF ~300 yes rotary     2017    
Tokina 18mm T1.5 AT-X (Vista Cinema Prime)                                         -/- -/-     ann. f. 2017    
Tokina 25mm T1.5 AT-X (Vista Cinema Prime)                                         -/- -/-     ann. f. 2017    
Tokina 35mm T1.5 AT-X (Vista Cinema Prime)         ana./dig. limited 8K   1:7.8 22 9     41 112 114 114 139 (145) 2030 MF only | IF ~300 -/- -/-     ann. f. 04./05.2017    
Tokina 50mm T1.5 AT-X (Vista Cinema Prime)         ana./dig. limited 8K   1:7 22 9     48 112 114 114 139 (145) 2190 MF only | IF ~300 -/- -/-     ann. f. 04./05.2017    
Tokina 50-135mm T3.0 AT-X [TC-535C] Print Tokina 50-135mm T3.0 AT-X Specifications     Super 35mm ltd. 4K   1:5.9 22 9 rounded stepless 100 112 114 123 150 (155.5) 1530 MF only   yes rotary     2015    
Tokina 85mm T1.5 AT-X (Vista Cinema Prime)         ana./dig. limited 8K   1:9.9 22 9     95 112 114 114 139 (145) 2230 MF only | IF ~300 -/- -/-     ann. f. 04./05.2017    
Tokina 100mm T2.9 Macro AT-X [TC-M100EF]       ana./dig. limited 4K   1:1 32 9 rounded stepless 30 82 88 88 146.5 1310 MF only   -/- -/-     ~2015    
  • The announcing press release for the 16-28mm T3 confirms, that the lens design is based on the existing 2.8/16-28 photo lens, which covers full frame sensors. In contrary the 2.8/11-16 and 2.8/50-135 stills lenses were built with a DX formula. Thus the 16-28mm T3 might or might not cover full frame, while the others most likely won't.
  • Refer to Still Lenses C/EF > Tokina for a list of Tokina photography lenses.
UniQoptics Razor 7D/DC-7 Series 18mm/25mm/35mm         APS-H limited 5K 75/58/43               110 (?)       MF only   -/- -/-     announced 2010 optics co-developed with Hyperion Development, LLC  
UniQoptics Razor 7D/DC-7 Series 50mm/85mm/100mm T1.9         ana./dig. limited 5K 40/24/20               110 (?)       MF only   -/- -/-     announced 2010 optics co-developed with Hyperion Development, LLC  
  • The series was shown at NAB 2010 and reported to fit APS-H and FF as given above, although official specs and announcements state APS-H at max. for the whole series ("up to 43mm image circle"). The series was to feature color matched optics, focus and iris gears in uniform diameter, single window scales and industry standard lens form factor. A dedicated "0.6x Wide Angle Adapter" was also planned to become available, turning the 18mm into a 10.8mm lens. The product flyer says 0.7x.
  • Until 2014 the series was never covered in the company's online portfolio, nor is there just a single prove of existence to be found online (by means of reported samples in ownership or having been sold etc.). The series is however mentioned in the price list of 2010 as being available. After all, somewhat looks like at best only prototypes are existing.
  • UniQoptics also offered the Kenji Suematsu Signature Series 18mm, 25mm, 35mm, 50mm, 85mm and 100mm T1.9 in PL mount (110mm front diameter, PL-EF adapter available, test available by Alfonso Parra).
  • Additional 14mm T1.9 and 16mm T1.9 lenses were announced in 2010 for both series (listed TBA for the Signature series only in the 2010 price list), but neither made it to the markets.
  • UniqOptics ceased from business until 2012, in 2014 Duclos Lenses published a press release about having acquired some of their remains - spare parts for the Signature Series among other stuff. The Razor 7Ds were not amongst.
Walimex Pro 8mm T3.8 UMC Fish-Eye CS VDSLR [18395]   Print Walimex Pro 8mm T3.8 UMC Fish-Eye CS VDSLR Specifications   APS-C limited   167 diag.   22 6 polygonal stepless 30 -/- 75   77.3 418 MF only | IF   -/- -/-   built-in, flower Samyang 2012    
Walimex Pro 8mm T3.8 UMC Fish-Eye CS II VDSLR [18709] Print Walimex Pro 8mm T3.8 UMC Fish-Eye CS II VDSLR Specifications   APS-C limited   167 diag.   22 6 polygonal stepless 30 -/-   77.3 75 420 MF only | IF   -/- -/-   metal, removable, flower Samyang 2012 EOS-M version [20133] available  
Walimex Pro 10mm T3.1 ED AS NSC CS VDSLR [20181]   Print Walimex Pro V-DSLR 10mm T3.1 ED AS NCS CS Specifications   APS-C limited   95.5   22 6 rounded stepless 24 -/-   87 106.1 600 MF only | IF   -/- -/-   built-in, flower Samyang 2014 EOS-M version [20188] available  
Walimex Pro 12mm T3.1 ED AS (NCS*) UMC VDSLR [20602]   Print Walimex Pro 12mm T3.1 ED AS (NCS*) UMC VDSLR Specifications   ana./dig. limited   180 diag.   22 7 rounded stepless 20 -/-   81.6 72.7 525 MF only | IF   -/- -/-   bayonet, flower Samyang 2014 *"[highly] effective nanocrystal anti-reflection (NCS) coating applied together with UMC coatings improve light transmission and reduce ghosting" according to B&H; EOS-M version [20162] available  
Walimex Pro 14mm T3.1 ED AS IF UMC VDSLR [18823] Print Walimex Pro V-DSLR 14mm T3.1 ED AS IF UMC EOS Specifications   ana./dig. limited   105.8   22 6 polygonal stepless 28 none, use SFH-14 87   96.1 620 MF only | IF ~240 -/- -/-   bayonet, flower Samyang 2013 EOS-M version [20118] available  
Walimex Pro 16mm T2.2 VDSLR [19784] Print Walimex Pro 16mm T2.2 VDSLR Specifications   APS-C limited   69.4   22 8   stepless 20 77 83   89.4 590 MF only | IF   -/- -/-   bayonet, flower Samyang 2013 EOS-M version [19788] available  
Walimex Pro 24mm T1.5 VDSLR [18805] Print Walimex Pro 24mm T1.5 VDSLR Specifications   ana./dig. limited   73.8   22 8 polygonal stepless 25 77 83   97.5 615 MF only 140 -/- -/-   bayonet, flower Samyang 2012 EOS-M version [20102] available  
Walimex Pro 35mm T1.5 AS UMC VDSLR [18716] Print Walimex Pro 35mm T1.5 AS UMC VDSLR Specifications   ana./dig. limited   54.1   22 8   stepless 30 77 83   111.5 700 MF only   -/- -/-   bayonet, flower Samyang 2012 EOS-M version [20110] available  
Walimex Pro 50mm T1.5 VDSLR [20402]   Print Walimex Pro 50mm T1.5 VDSLR Specifications   ana./dig. limited   39.1   22 8 rounded stepless 45 77 81.6   74.7 575 MF only   -/- -/-   bayonet, flower Samyang 2014 EOS-M version [20405] available  
Walimex Pro 85mm T1.5 AS IF UMC VDSLR [19449] Print Walimex Pro 85mm T1.5 AS IF UMC VDSLR Specifications   ana./dig. limited   23.7   22 8   stepless 110 72 78   74.7 580 MF only   -/- -/-   bayonet, round Samyang 2013 EOS-M version [20126] available  
Walimex Pro 135mm T2.2 ED UMC VDSLR [20743]   Print Walimex Pro 135mm T2.2 ED UMC VDSLR Specifications   ana./dig. limited   15.7   22 9 rounded stepless 80 77   82 122.1 835 MF only | FLE   -/- -/-   bayonet, round Samyang 2015 EOS-M version [20747] available  
  • Compared to the standard stills photography lenses the VDSLR versions feature follow focus gears and the scales are relocated sideways.
  • Refer to Still Lenses C/EF > Samyang for a list of Walimex stills photography lenses.
Xeen 14mm T3.1 Cinema Lens         ana./dig. limited 4K     22 9   declicked 28   114 117.6 88.3 1170 MF only 200       deep barrel Samyang 2016    
Xeen 16mm T2.6 Cinema Lens         ana./dig. limited 4K     22 11   declicked 30   114 117.6 95.3 1175 MF only 200       deep barrel Samyang 2017    
Xeen 20mm T1.9 Cinema Lens         ana./dig. limited 4K     22 11 rounded declicked     114       MF only 200       deep barrel Samyang 2017    
Xeen 24mm T1.5 Cinema Lens   Print Tokina 11-16mm T3.0 AT-X Specifications     ana./dig. limited 4K     22 11 rounded declicked 25   114 117.6 121.7 1180 MF only 200       deep barrel Samyang 2015    
Xeen 35mm T1.5 Cinema Lens         ana./dig. limited 4K     22 11   declicked 33   114 117.6 121.7 1375 MF only 200       deep barrel Samyang 2016    
Xeen 50mm T1.5 Cinema Lens   Print Tokina 16-28mm T3.0 AT-X Specifications     ana./dig. limited 4K     22 11 rounded declicked 45   114 117.6 121.7 1160 MF only 200       deep barrel Samyang 2015    
Xeen 85mm T1.5 Cinema Lens   Print Tokina 50-135mm T3.0 AT-X Specifications     ana./dig. limited 4K     22 11 rounded declicked 112   114 117.6 121.7 1245 MF only 200       deep barrel Samyang 2015    
Xeen 135mm T2.2 Cinema Lens         ana./dig. limited 4K     22 11   declicked 80   114 117.6 121.7 1394 MF only 200       deep barrel Samyang 2016    
  • Xeen lenses are produced by Samyang and distributed by Samyang and Rokinon. They come with an interchangeable mount for easy switching between systems including Canon EF, PL, F, E and MFT. Also, aperture and focus control rings of all focal lengths are placed in identical positions. The housing barrels are made of aluminum. Focus scales are available in metric or imperial units. The lenses feature a new X coating.

© 2007 - 2017 Canon EOS Technoclopedia
General Notes:
1.) For Canon CN-E lenses refer to Video/Cine Gear > Cine Lenses > Canon CN-E.
2.) There are many more companies offering lens modifications by complete rehousing. Arri in Munich is known to have converted a bunch of Nikons. Another company offering these services is Oppenheimer Camera Products in the US. Some interesting stuff there for PL and BNCR, but not for C/EF yet. OpTex was a company in the UK, offering at least mount conversions, though I can't find evidence for a Canon EF mount among the options (they did convert some Canon FD lenses to their OpTex Universal Mount). They quit business in 2005.
3.) Anamorphic Lenses: Until now I do not know of any anamorphic lenses produced for Canon EF mount. Canon at least filed a patend for a CN-E 37.5-100mm T3.3 Anamorphic lens in 04.2016. However, SLR Magic just released a set of 3 Anamorphot-Cine lenses with PL mount, that are adaptable to Canon EF mount. There are no details on the adapters yet (except for that they are made from Titanium), but the formerly released 50mm T2.1 Apo HyperPrime Cine, also coming with PL mount and an optional EF adapter among others was said to require a factory service for installation of the adapter, which left the question, whether the installation is permanent or reversible. I did not read anything about the Hyperprime's adapter since 2 years now, it's not featured on the homepage. So let's see what happens to the Anamorphot-Cine lenses and their adapters. Specifications are as follows:
  • SLR Magic 35mm T2.4 Anamorphot-Cine 1.33x: covers Super 35 format, delivering ~5.5K
  • SLR Magic 50mm T2.8 Anamorphot-Cine 1.33x: covers full 35mm, delivering ~8K
  • SLR Magic 70mm T4.0 Anamorphot-Cine 1.33x: covers full 35mm, delivering ~8K
  • Common Specs: squeeze factor of 1.33x, multi-coating, close focus down to 3'6, filter thread of Ø82mm, Ø100 x 135mm in size with a weight of 1080g, Titanium PL mount
  • I'd expect the size and weight to be true for only one of them. Not that similar size and weight throughout a series wouldn't be possible (it's actually done by others!), but I wouldn't expect it from SLR Magic.
 
If all this doesn't help - SLR Magic also offers the Anamorphot 2x 50 adapter, which simply screws onto standard lenses like a close-up lens. It fits lenses with a front lens element diameter of up to 50mm and can be mounted to 62mm threads.
4.) Vaporware/Fun Fact: In 2011 the Italian camera outlet Kelvinkamera+ (some might know them from eBay) announced a series of BabyPrimes being almost ready to ship - modded Zeiss ZF.2s featuring a unified front diameter, focus and iris markings and gear rings (like the Duclos mods above). KelvinKamera+ claimed the BabyPrimes being a result of a cooperation with Zeiss. Zeiss published a counter-statement abnegating any involvement or connection to KK+. The lenses were never produced, sold or reported about again.