Third Party Canon EF Mount Lenses For Cinematography - Canon EOS Technoclopedia (Mobile Version)

Third-Party Cine Lenses For Canon EF			Compatibility¹	Optical Resolution	Angle Of View horizontal (°)	Max. Magnif.	Aperture: Min. \| Blades \| Pattern \| Adjustment				Min. Distance (cm)	Filter Ø (mm)	Front Ø (mm)	Max. Ø (mm)	Length (mm)	Weight (g)	Focus Type	Focus Throw (°)	Parfocal	Zoom Type	E-TTL II²	Lens Hood	Produced	Comments	Tests & Reviews³
	Angénieux 15-40mm T2.6 Optimo Lightweight Series		Super 35 limited	5K	73 - 31.2						60		114		186	1920	MF only \| IF	320		rotary			2006
	Angénieux 16-40mm T2.8 Optimo Style Lightweight Series		Super 35 limited		69 - 31.2						60		114		186	1920	MF only \| IF	320		rotary			2014
	Angénieux 24-290mm T2.8 Optimo Long Lens Series		APS-C limited*	4K*	49.2 - 4.2						122		162		440	11000	MF only \| IF	327		rotary			2001	*S35 covering 5K possible with 1.4x or 2.0x Extenders (natively only offers a 30mm image circle (S35 has 31.1mm), reported to deliver 4K on a RED at wide end, 5K at ~35mm and longer without vignetting)
	Angénieux 25-250mm T3.5 DP Optimo		Super 35 limited	5K	47.6 - 5						122	internal filter holder	137		~375	7300	MF only \| IF			rotary			2013
	Angénieux 25-250mm T3.5 Optimo Style Long Lens Series		Super 35 limited	4K	47.6 - 5						122	internal filter holder	136		~377	7300	MF only \| IF			rotary			2014
	Angénieux 28-76mm T2.6 Optimo Lightweight Series		Super 35 limited	5K	42.8 - 16.4						60		114		186	1920	MF only \| IF	320		rotary			2007
	Angénieux 30-72mm T4.0 A2S Optimo Anamorphic 2x Squeeze Series		Super 35 limited		72.5 - 34						65		114		227	2400	MF only \| IF	320		rotary			2015	uncoated front element available as optional accessory (to be installed by lens technicians, ann. f. Q3 2017)
	Angénieux 30-76mm T2.8 Optimo Style Lightweight Series		Super 35 limited		40.2 - 16.4						60		114		186	1920	MF only \| IF	320		rotary			2014
	Angénieux 45-120mm T2.8 Optimo Lightweight Series		Super 35 limited	5K	27.4 - 10.5						94		114		203	1950	MF only \| IF	320		rotary			2011
	Angénieux 48-130mm T3.0 Optimo Style Series		Super 35 limited		25.6 - 9.8						94		114		206	1950	MF only \| IF	320		rotary			ann. f. Q4 2017
	Angénieux 56-152mm T4.0 A2S Optimo Anamorphic 2x Squeeze Series		Super 35 limited		42.8 - 16.4						63		114		210	2200	MF only \| IF	320		rotary			2013	uncoated front element available as optional accessory (to be installed by lens technicians, ann. f. Q3 2017)
	Angénieux Type EZ-2	15-40mm T2.0 22-60mm T3.0	Super 35 limited ana./dig. limited	8K	77.6 - 33.7 80.2 - 35		22 32	9			60		114		210 (constant)	2120 2070	MF only \| IF	300		rotary			ann. f. Q3 2017	minimum working distance of 60cm
	Angénieux Type EZ-1	30-90mm T2.0 45-135mm T3.0	Super 35 limited ana./dig. limited	8K	43.6 - 15.2 45.6 - 15.9		22 32	9			60		114		226 (constant)	2150 2050	MF only \| IF	300		rotary			2017	minimum working distance of 60cm
	Angénieux Motorized Cine Servo Unit [MSU-1]		attaches to the side of the lenses; fits Type EZ series lenses; 3 motors												160 x 118 x 108	590							2016	supports WiFi remote lens control
	Angénieux Motorized Cine Servo Unit [MSU-1A]		attaches to the side of the lenses; fits Type EZ series lenses; 1 motor												146 x 95 x 104	440							2017	supports WiFi remote lens control
	Angénieux Optimo Servo Unit		attaches to the side of the lenses; fits Optimo Lightweight Series 15-40, 28-76 and 45-120 and Optimo DP Lenses incl. 16-42 and 30-80 (excl. 25-250?)																				2012	provides control over zoom (via rocker) and iris, focus control only available with specific versions
	Angénieux Servo Unit [ASU]		attaches to the side of the lenses; fits Optimo Lightweight Series 15-40, 28-76 and 45-120, Optimo Style 16-40, 30-76 and 48-130 and Optimo A2S lenses; generates lens metadata based on Cooke protocol (PL mount only?)													700							2014	provides control over zoom, focus and iris directly from the onboard controls or remotely via wired and wireless devices from e.g. Angénieux and Preston; compatible with Broadcast remote handles and Cinema remote control
Many Angénieux lenses feature the so called Universal Mount (screw mount, european version, measuring 58mm in diameter, used by Angénieux, Cooke and others for ages). They were/are traditionally served with a PL or Panavision mount. However, since the EF Cine introduction it's also possible to order most Angénieuxes with a Canon EF mount. The above selection only contains those lenses, that are indeed available with EF mount straight from the factory, although Universal to EF mount adapters are freely available at the moment (which means, you can basically buy any S35+ vintage Angenieux or Cooke, unscrew the mount, throw the EF adapter in and mount it to your APS-C or Cine EOS). Among the exceptions are Optimo Anamorphic Series and the Optimo 17-80, 19.5-94 and 28-340. Also, at least the Canon mount for the 24-290 seems to be different from the others. That's what the catalog sais. The Type EZ Series lenses are the result of a collaboration with Band Pro Film & Digital Inc. and Jebsen Industrial Technology Co. Ltd.. They feature an interchangeable rear optics module to switch between Super 35mm and full frame 35mm/VistaVision image formats. The lenses themself thus are just labeled Type EZ-#, the focal length and aperture are engraved on the exchangeable rear module. The mounts are exchangeable as well (not sure whether it's the traditional system or something new, the options include PL, EF and E mount). The EZ series lenses feature full metal barrels with thermal drift compensation to provide constant focus during temperature changes. All the above lenses come with interchangeable focus scales (switch between feet or meters) and provide breathless or nearly breathless zoom and focus mechanisms.
	Atlas Anamorphic 2x Orion 40mm T2.0		APS-H limited				22				84		110				MF only	270	-/-	-/-			ann. f. 01.2018
	Atlas Anamorphic 2x Orion 65mm T2.0		APS-H limited				22				84		110		210	2900	MF only	270	-/-	-/-			ann. f. 01.2018
	Atlas Anamorphic 2x Orion 100mm T2.0		APS-H limited				22				100		110				MF only	270	-/-	-/-			ann. f. 01.2018
Atlas lenses come with IMS mount, default options include PL, Canon EF and more - all dumb. Gears are standard 0.8 mod.
	Bokkeh Optics 25mm T2.1 Bokkelux [BKX-T2-025-x-EF]		Vista Vision limited	8K			22	12			21	105	110		130	1450	MF only	340	-/-	-/-			2017
	Bokkeh Optics 35mm T2.0 Bokkelux [BKX-T2-035-x-EF]		Vista Vision limited	8K			22	12			30	105	110		130	1420	MF only	340	-/-	-/-			2017
	Bokkeh Optics 50mm T2.0 Bokkelux [BKX-T2-050-x-EF]		Vista Vision limited	8K			22	12			44	105	110		130	1420	MF only	340	-/-	-/-			2017
	Bokkeh Optics 75mm T2.0 Bokkelux [BKX-T2-075-x-EF]		Vista Vision limited	8K			22	12			69	105	110		130	1320	MF only	340	-/-	-/-			2017
	Bokkeh Optics 100mm T2.0 Bokkelux [BKX-T2-100-x-EF]		Vista Vision limited	8K			22	12			56	105	110		130	1400	MF only	340	-/-	-/-			2017
Bokkeh lenses are color matched and come with consistently positioned gears throughout the series for easy and fast switching between lenses. Markings are engraved, available in metric (#x = M) or imperial scales (#x = F) and - optionally - fluorescent. Mounts are fixed it seems - Canon EF being one of a few options of course. Bokkelux Lens Project was announced dead until end of 2017, some of the lenses where still in circulation at that time though. The remains of the company were at least partly sold to NiSi Filters, which announced their own series of cine lenses based on the Bokkeluxes a year later.
	Bower V-DSLR 8mm T3.8 UMC Fish-Eye CS II [SLY8VDC]		APS-C limited		167 diag.		22	6	polygonal	stepless	30	-/-	75		75.1	455	MF only \| IF		-/-	-/-		bayonet, flower	Samyang 2012
	Bower V-DSLR 14mm T3.1 ED AS IF UMC [SLY14VDC]		ana./dig. limited		105.8		22	6	polygonal	stepless	28	none, use SFH-14	87		96.1	620	MF only \| IF	~240	-/-	-/-		bayonet, flower	Samyang 2013
	Bower V-DSLR 16mm T2.2 ED ... CA [SLY16VDC]		APS-C limited		69.4		22	8		stepless	20	77	83		89.4	590	MF only \| IF		-/-	-/-		bayonet, flower	Samyang 2014	SLY16VDCM is the Canon EOS M version
	Bower V-DSLR 24mm T1.5 ED AS IF UMC [SLY24VDC]		ana./dig. limited		73.8		22	8	polygonal	stepless	25	77	83		97.5	615	MF only	140	-/-	-/-		bayonet, flower	Samyang 2012
	Bower V-DSLR 35mm T1.5 AS UMC [SLY35VDC]		ana./dig. limited		54.1		22	8		stepless	30	77	83		111.5	700	MF only		-/-	-/-		bayonet, flower	Samyang 2012
	Bower V-DSLR 85mm T1.5 [SLY85VDC]		ana./dig. limited		23.7		22	8		stepless	110	72	78		74.7	580	MF only		-/-	-/-		bayonet, round	Samyang 2013
Refer to Still Lenses C/EF > Samyang for a list of Bower photography lenses.
	Celere HS 18.5mm T1.5		ana./dig. limited	6 - 8K			22	9			23	86	95	95	126	1285 (±10)	MF only \| IF	250					HIT 2017
	Celere HS 25mm T1.5		ana./dig. limited	6 - 8K			22	8			24	77	85	90	FF: 108 S35: 118*	1050 (±10)	MF only \| IF	250					HIT 2015	there seems to be some sort of extender to use the lens on Super 35 format cameras
	Celere HS 36mm T1.5		ana./dig. limited	6 - 8K			22	8			33	77	85	90	118	1050 (±10)	MF only \| IF	250					HIT 2015
	Celere HS 50mm T1.5		ana./dig. limited	6 - 8K			22	8			43	77	85	90	118	1050 (±10)	MF only \| IF	250					HIT 2015
	Celere HS 85mm T1.5		ana./dig. limited	6 - 8K			22	8			115	77	85	90	118	1050 (±10)	MF only \| IF	250					HIT 2015
Celere HS lenses are "Made in Germany" by Hanse Inno Tech from Hamburg. They are equipped with a swappable Vario Mount System with mounts being available for Canon EF, PL and Sony E. The lenses also feature an exchangeable front element to switch between Coated and Uncoated looks. Scales are to read from both sides, are available in metric and imperial and engravings are illuminant. The lenses are colour matched and come in full metal housings. According to HIT all lenses shipped since 2015 (initial release) were delivered featuring the VMS, although originally the lenses were only intended for PL mount. This was changed at the last second. The EF mounts started to ship during 2016, Sony E mounts will become available until end of the year. ** Same story applies to the front lens element. HIT took 3 different versions of uncoated front lens elements to Cinec 2016 to have visitors evaluate the best choice. The "winner" is reported to go into production right after the show. All lenses deliverered since 2015 are compatible. The so called Net Diffusor is only applicable to the PL mounts. They come with a plastic ring, which can be unscrewed to attach a piece of mesh pantyhose as - depending on applied tightness - adjustable diffusor.
	Century Precision Optics S2000 Canon 150-600mm T6.7 [CM-CZ16]		ana./dig. limited		14 - 3.4		32				305	R40.5 (2) or 48 (1)	125						yes				< 2000	based on Canon FD 150-600mm F5.6 with electronic zoom; should be identical to #S2-CZ16, just a bit older
	Century Precision Optics S2000 Canon 300mm F4.0L [CM-C340]		ana./dig. limited		6.9							R40.5							-/-	-/-			< 2000
	Century Precision Optics S2000 Canon 300mm F2.8L [CM-C328]		ana./dig. limited		6.9							R40.5							-/-	-/-			< 2000
	Century Precision Optics S2000 Canon 400mm F4.5 [CM-C445]		ana./dig. limited		5.2							R40.5							-/-	-/-			< 2000
	Century Precision Optics S2000 Canon 400mm F2.8L [CM-C428]		ana./dig. limited		5.2							R40.5							-/-	-/-			< 2000
	Century Precision Optics S2000 Canon 500mm F4.5L [CM-C545]		ana./dig. limited		4.1							R40.5							-/-	-/-			< 2000
	Century Precision Optics S2000 Canon 600mm F4.5 [CM-C645]		ana./dig. limited		3.4							R40.5							-/-	-/-			< 2000
	Century Precision Optics S2000 Canon 800mm F5.6L [CM-C856]		ana./dig. limited		2.6	1:17.5	22	9			1400	R48 (1)		149	~570	~4300			-/-	-/-			< 2000	no gears
	Century Precision Optics S2000 Canon 1.4x Tele-Extender [XC-CA14]		ana./dig. limited	The Extenders are modified to Century Universal Mount at both ends and will fit "most Custom Primes and [later] Series 2000" models. They are based on so called Canon type A optics. Not sure what is meant there, type A usually refers to E-TTL capable Canon camera bodies.																			< 2000
	Century Precision Optics S2000 Canon 2x Tele-Extender [XC-CA20]		ana./dig. limited																				< 2000
Century Precision Optics U.S.A. merged into Schneider Optics in 2000 and is now just called Century Optics U.S.A. (see below). There were no dedicated EF mount mods available, but they use Canon glass, so here we go. All lenses above are modified to Century's Universal Mount, an exchangeable screw-on type mount, that's used since ages. At the time there neither was a Canon EF mounting module available in one piece. Instead you had to get the T-mount module [#TM-OOCT] and a T mount > EF adapter (e.g. Century or any other). These classic CPO lens mods left the lens in its original chassis, only changing the rear section by adding T-stop calibrated manual diaphragms and the Century mount. Further the addition of gears for the control rings and in some cases also support mounts completed the task. Century refered to the above models as Custom Primes series. These are just a selection of commonly available Canon FD lens mods with interchangeable mount. For this mount Century further offered modifications of a number of Nikon lenses including the 2/200, 4/200 Micro, 2.8/300, 2/300, 2.8/400, 4/600 and 5.6/800 Nikkors. A Canon 2.8/14L, 2/200 and an Olympus 2/180 were only available with fixed mounts e.g. including PL, but not Canon EF or T mount (or anything else easily adapted). The 40.5mm rear filters are convenient for Academy Standard (22 x 18.6mm) and will cause vignetting with APS-H, Super 35 and 35mm full frame formats.
	Century Optics S2000 Canon 150-600mm T6.7 [0S2-CZ16-00]		ana./dig. limited		14 - 3.4		32				305	R40.5 (2) or 48 (1)	125				MF only		yes				≥ 2000	based on Canon FD 150-600mm F5.6 with electronic zoom; should be identical to #CM-CZ16, just a bit newer
	Century Optics S2000 Canon 300mm F2.8 Mark I [0S2-C328-00]		ana./dig. limited		6.9							R40.5 (2) or 48 (1)					MF only		-/-	-/-			≥ 2000 - 2015	based on Canon FD 300mm F2.8L
	Century Optics S2000 Canon 300mm T3 Mark II [0S2-C328-M2]		ana./dig. limited		6.9		22				305	114 and R40.5 (2)	122.9	149.86	265.8	3700	MF only \| IF	210	-/-	-/-			≥ 2000 - 2015	based on Canon EF 300mm F2.8L; compatible with TeleFX System (70 x 45mm filters)
	Century Optics S2000 Canon 400mm F2.8 Mark I [0S2-C428-00]		ana./dig. limited		5.2							R40.5 (2) or 48 (1)					MF only		-/-	-/-			≥ 2000 - 2015	based on Canon FD 400mm F2.8L
	Century Optics S2000 Canon 400mm T3 Mark II [0S2 C428 M2]		ana./dig. limited		5.2		22				457	R40.5 (2)	161		350.1	6600	MF only \| IF	360	-/-	-/-			≥ 2000 - 2015	based on Canon EF 400mm F2.8L; compatible with TeleFX System
The Series 2000 Mark I models are basically the same like the old Custom Primes (see Century Precision S2000s above). For the S2000 Mark II models (all based on Canon EF lenses) Century only take the optics and re-house them in a completely new chassis with cine optimized mechanics, which includes a manual aperture ring, an expanded focus throw, precision scales on both sides of the lens, focus and iris gears, support mount for Arri bridgeplate and last but not least they are each packed in a hardcase. All of the current S2000 models can be ordered from stock or as custom modification of your own lens you'd send to them. Again, the selection above only covers Canon EF adaptable lens mods. Further on offer are/were a re-housed Canon 2.8/17-35L, the 3.5/24, 2.8/45 and 2.8/90 T/S lenses, a 2/200 and the Nikon 2.8/8 Fisheye-Nikkor, but those have/had fixed mounts other than T or EF (primarily PL mount). 40.5mm rear filters are convenient for Academy Standard (22 x 18.6mm) and will start to cause vignetting with APS-H or Super 35 format. The current Century Universal T mount piece is #0TM-00CT-00.
	Cinematics CT.2 11-16 TKN 11-16/2.8 EF (1st gen.)									stepless			114										2012	for the Tokina 11-16mm F2.8; includes the housing and a geared ring for zoom control
	Cinematics CT.Pro 16-35 CAN 16-35/1.4 EF (1st and 2nd gen.)									stepless			114										as of 2014	for the Canon EF 16-35mm F2.8L II USM
	Cinematics CT.2 17-40 17-40/T4 (1st and 2nd gen.)									stepless			114										as of 2014
	Cinematics CT.2 17-55 CAN 17-55/2.8 EF-S (1st and 2nd gen.)									stepless			114										as of 2014
	Cinematics CT.2 18 CZS 18/3.5 ZE (1st and 2nd gen.)									stepless			114				MF only		-/-	-/-			v1 2012, v2 2013
	Cinematics CT.2 18-35 SMA 18-35/1.8 EF (2nd. gen.)												114										as of 2014	for the Sigma AF 18-35mm F1.8 DC HSM A
	Cinematics CT.2 21 CZS 21/2.8 ZF.2 (1st and 2nd gen.)									stepless			114				MF only		-/-	-/-			v1 2012, v2 2013	no officially listed ZE version in 2014
	Cinematics CT.2 24 (1st and 2nd gen.)									stepless			114						-/-	-/-			as of 2014	for the Canon EF 24mm F1.4L II USM
	Cinematics CT.2 24 SY 24/1.4 EF (1st and 2nd gen.)									stepless			114				MF only		-/-	-/-			as of 2014	for the Samyang 24mm F1.4 EOS
	Cinematics CT.2 24-70 (1st and 2nd gen.)									stepless			114										as of 2014	for the Canon EF 24-70mm F2.8L II USM
	Cinematics CT.2 24-105 24-105/T4 (1st and 2nd gen.)									stepless			114										as of 2014	for the Canon 24-105mm F4.0L IS USM
	Cinematics CT.2 25 CZS 25/2.0 ZE (1st and 2nd gen.)									stepless			114				MF only		-/-	-/-			v1 2012, v2 2013
	Cinematics CT.2 28 CZS 28/2 F (1st and 2nd gen.)									stepless			114				MF only		-/-	-/-			v1 2012, v2 2013	no officially listed ZE version in 2014
	Cinematics CT.2 28-80mm T2.8																						2012	listed in the 2012 Photokina handouts, compatible lens not specified, model not listed as of 2014 - the only 2.8/28-80 I can think of is the Tokina 28-80mm F2.8 AT-X 280 AF PRO
	Cinematics CT.2 35 CT.95 35 (1st gen.) and CTmini 35 (2nd gen.)									stepless			95						-/-	-/-			as of 2014	for the Canon EF 35mm F2.0
	Cinematics CT.2 35 CZS 35/1.4 ZE (1st and 2nd gen.)									stepless			114				MF only		-/-	-/-			v1 2012, v2 2013
	Cinematics CT.2 50 CT.95 50 (1st and 2nd gen.)									stepless			95						-/-	-/-			as of 2014	for the Canon EF 50mm F1.8 Mark I
	Cinematics CTmini 50 CAN 50/1.8 EF (1st and 2nd gen.)									stepless			95						-/-	-/-			as of 2014	for the Canon EF 50mm F1.8 Mark II
	Cinematics CT.2 50 CAN 50/1.4 EF (1st and 2nd gen.)									stepless			114						-/-	-/-			as of 2014
	Cinematics CT.2 50 CAN 50/1.2 EF (1st and 2nd gen.)									stepless			114						-/-	-/-			as of 2014
	Cinematics CT.2 50 CZS 50/1.4 ZE (1st and 2nd gen.)									stepless			114				MF only		-/-	-/-			v1 2012, v2 2013
	Cinematics CT.2 70-200 70-200/T2.8 (1st and 2nd gen.)									stepless			114										as of 2014	for the Canon EF 70-200mm F2.8L IS II USM
	Cinematics CT.2 70-300 CAN 70-300/4-5.6 EF (1st and 2nd gen.)									stepless			114										as of 2014
	Cinematics CT.2 85 CAN 85/1.8 EF (1st and 2nd gen.)									stepless			114						-/-	-/-			as of 2014
	Cinematics CT.2 85 SY 85/1.4 EF (1st and 2nd gen.)									stepless			114				MF only		-/-	-/-			as of 2014	for the Samyang 85mm F1.4 EOS
	Cinematics CT.2 85 (1st and 2nd gen.)									stepless			114				MF only		-/-	-/-			v1 2012, v2 2013	for the Zeiss ZE 85mm F1.4 Distagon
	Cinematics CT.2 100 CZS 100/2.0 ZE (1st gen.)									stepless			114				MF only		-/-	-/-			2012	gen. 2 fits with Cinematics 1332D9F tripod collar
	Cinematics CT.Pro 135 CAN 135/2.0 EF (1st and 2nd gen.)									stepless			115						-/-	-/-			as of 2014
The Cinematics mods are sold by the chinese company PChood. They do not necessarily alter the original lens. The whole thing basically isn't anything more than a huge focus ring slid on the lens, that looks a bit like a CP.2 series lens housing. At least the 50mm version can be mounted with the original lens hood without extending out of the front of the housing. Stepless aperture or aperture control ring are optionally available, if the full lens mod is ordered from PChood (including the lens). That said, PCHood sells the housings without lens, so you can put it on your lens yourself, as well as completely modded lenses. The housings come with focus gear rims module 0.8. PChood doesn't publish exact specs, but although looking quite massive, the Cinematics mod is pretty lightweight (made from alloy, it adds like 200g to the lens). As of 2014 they offer 2 versions of housings. The first generation incorporates 2 focus gears per housing - one of bigger and one of smaller diameter. The complete housing from the aperture ring at the rear up to the front will rotate during focus. Generation 2 solves the issue of the rotating housing (focus gear no longer fixed to the rest of the housing), but does feature only the bigger diameter focus gear. The videos on Youtube provided by PChood point out, that Version 2 additionally features cutouts for MF/AF and IS switches, but infact none of the gen. 1 Canon housings above hides the switch panels. In some cases it rather looks like the switch panels are harder to access than before. Besides the above listed models there also are some exclusively for Nikon mount lenses, including Cinematics CT.2 45-112mm T2.8 ED (for Nikon 28-70mm), Cinematics CT.2 80-200mm T2.8 (for Nikon 80-200mm) and Cinematics CT.2 128-230mm T2.8 ED (for Nikon 70-200mm).
	Cooke Optics 18mm T2.8 miniS4/i		Super 35	4K			22	8			250	-/-	110		120	1300	MF only \| IF (cam)	300	-/-	-/-			EF ann. f. 10.2016
	Cooke Optics 21mm T2.8 miniS4/i		Super 35	4K			22	8			250	-/-	87		110	1560	MF only \| IF (cam)	300	-/-	-/-			EF ann. f. 10.2016
	Cooke Optics 25mm T2.8 miniS4/i		Super 35	4K			22	8			250	82	87		106	1400	MF only \| IF (cam)	300	-/-	-/-			EF ann. f. 10.2016
	Cooke Optics 32mm T2.8 miniS4/i		Super 35	4K			22	8			300	82	87		110	1600	MF only \| IF (cam)	300	-/-	-/-			EF ann. f. 10.2016
	Cooke Optics 40mm T2.8 miniS4/i		Super 35	4K			22	8			440	82	87		110	1700	MF only \| IF (cam)	300	-/-	-/-			EF ann. f. 10.2016
	Cooke Optics 50mm T2.8 miniS4/i		Super 35	4K			22	8			500	82	87		137	1500	MF only \| IF (cam)	300	-/-	-/-			EF ann. f. 10.2016
	Cooke Optics 65mm T2.8 miniS4/i		Super 35	4K			22	8			700	82	87		135	1600	MF only \| IF (cam)	300	-/-	-/-			EF ann. f. 10.2016
	Cooke Optics 75mm T2.8 miniS4/i		Super 35	4K			22	8			750	82	87		137	1600	MF only \| IF (cam)	300	-/-	-/-			EF ann. f. 10.2016
	Cooke Optics 100mm T2.8 miniS4/i		Super 35	4K			22	8			900	82	87		137	1600	MF only \| IF (cam)	300	-/-	-/-			EF ann. f. 10.2016
	Cooke Optics 135mm T2.8 miniS4/i		Super 35	4K			22	8			1000	82	87		157.8	1800	MF only \| IF (cam)	300	-/-	-/-			EF ann. f. 10.2016
Cooke Optics are another classic cinema lens manufacturer. For a long time their lenses by default were available only for the Canon EOS C PL models. By entering the Canon EF mount market they also announced a DIY mount conversion set for all existing miniS4/i series lenses. All lenses feature the Cooke Look® and are colour matched with all other Cooke lenses. They further feature 0.8 module gears and opposing focus scales with a choice of metric or imperial.
	Duclos Lenses Tokina 11-16mm F2.8 SD (IF) DX AT-X PRO		APS-H		104 - 82		32				30	77	80										2011	3rd generation of complete rehousings come in a black anodized aluminum barrel featuring a manual aperture ring and gears for zoom, iris and focus
	Duclos Lenses Zeiss ZE Series		ana./dig. limited	includes ZE 3.5/18, 2.8/21, 2/25, 2/28, 2/35, 1.4/35, 1.4/50, 2/50 Macro, 1.4/85 and 2/100 Macro								77	80				MF only		-/-	-/-				cine mod adding a standardized front ring with filter thread to all ZE models, 32-pitch focus gear (delrin, non-removable); aperture stays untouched in control of the body (no manual control ring) and is not de-clicked
	Duclos Lenses Zeiss ZF.2 Lens Set/Pro Set		ana./dig. limited	includes ZF.2 2.8/21, 2/28 (older Lens Set only), 2/25 (newer Pro Set only), 1.4/35, 2/50 Macro and 1.4/85								77	80				MF only		-/-	-/-			?/2012	comes as a set of 5 lenses in an outdoor case; Leitax EF mount option; basically same mod as above, but the iris is de-clicked and damped (no aperture gear though)
	Duclos Lenses Zeiss ZF.2 Speed Lens Set		ana./dig. limited	includes ZF.2 1.4/35, 1.4/50 and 1.4/85								77	80				MF only		-/-	-/-			2012	comes in an outdoor case; Leitax EF mount option
Duclos mainly offers custom modifications, but also some stock of new modified lenses. With the exception of the Tokina they do not offer complete rehousings, basically it's just about adding the front ring, focus gear, iris de-clicking if applicable and if needed a mount conversions with Leitax mounts. Among the lenses they recommend for custom modifications to use for cine applications are Zeiss ZF, Leica R, older Nikon AiS and Zeiss Contax.
	G.L Optics 11-16 Compact Wide Zoom Series II		APS-C limited				22				30		95		fixed		MF only						as of 2015	based on Tokina's 11-16mm F2.8 DX AT-X 116 AF PRO II
	G.L Optics 11-20 T3.0 Compact Wide Zoom						32				30		95				MF only \| IF						2015*	*ready to preorder, announced for NAB 2015; based on Tokina's 11-20mm F2.8 DX AT-X AF PRO
	G.L Optics 16-28 Compact Zoom Lens		ana./dig. limited	8K			22				27		95				MF only \| IF						as of 2015	based on Tokina's 16-28mm F2.8 SD FX AT-X AF PRO
	G.L Optics 18-35 Super Speed Zoom		APS-C limited				16			declicked		77	95				MF only \| IF	120 or 300*					as of 2015	*both versions available (300° version costs 850$ extra); based on Sigma's 18-35mm F1.8 DC HSM Art [210]
	G.L Optics 19											77	95				MF only	120					as of 2015	part of the Leica R Super Speed and Standard Speed Sets; based on Leica R 19mm, max. aperture is F2.8; sets come in flight case
	G.L Optics 21 Prime Lens		ana./dig. limited	8K			22				21		95				MF only	330					as of 2015	optionally part of the Zeiss Regular/Standard Speed Set (feature identical aperture and focus ring positions); based on Zeiss Contax, max. aperture is F2.8; sets come in flight case
	G.L Optics 25 Prime Lens		ana./dig. limited	8K			22				23		95				MF only	330					as of 2015	part of the Zeiss Regular/Standard Speed Set (feature identical aperture and focus ring positions); based on Zeiss Contax, max. aperture is F2.8; sets come in flight case
	G.L Optics 28											77	95				MF only	330					as of 2015	part of the Leica R Super Speed and Standard Speed Sets; based on Leica R 28mm, max. aperture is F2.8; sets come in flight case
	G.L Optics 35											77	95				MF only	330					as of 2015	part of the Leica R Standard Speed Set; based on Leica R 35mm, max. aperture is F2.0; sets come in flight case
	G.L Optics 35											77	95				MF only	330					as of 2015	part of the Leica R Super Speed Set; based on Leica R 35mm, max. aperture is F1.4; sets come in flight case
	G.L Optics 35 Prime Lens		ana./dig. limited	8K			22				32		95				MF only	330					as of 2015	part of the Zeiss Regular/Standard Speed Set (feature identical aperture and focus ring positions); based on Zeiss Contax, max. aperture is F2.8; sets come in flight case
	G.L Optics 35 Super Speed Series Prime Lens		ana./dig. limited				16				25		95				MF only						as of 2015	based on Sigma's 35mm F1.4 DG HSM Art [340]
	G.L Optics 50											77	95				MF only	330					as of 2015	part of the Leica R Standard Speed Set; based on Leica R 50mm, max. aperture is F2.0; sets come in flight case
	G.L Optics 50											77	95				MF only	330					as of 2015	part of the Leica R Super Speed Set; based on Leica R 50mm, max. aperture is F1.4; sets come in flight case
	G.L Optics 50 Prime Lens		ana./dig. limited	8K			16				40		95				MF only	330					as of 2015	part of the Zeiss Regular/Standard Speed Set (feature identical aperture and focus ring positions); based on Zeiss Contax, max. aperture is F1.4; sets come in flight case
	G.L Optics 50 Super Speed Series Prime Lens		ana./dig. limited				16						95				MF only						as of 2015	based on Sigma's 50mm F1.4 DG HSM Art [311]
	G.L Optics 50-100 Super Speed Zoom											82	95				MF only	120 or 260*					2016	*both versions available (260° version costs 1000$ extra); based on Sigma's 50-100mm F1.8 DC HSM \| Art
	G.L Optics 70-200 Compact Zoom Series		ana./dig. limited				32						95		fixed	2500	MF only						as of 2015	based on a Canon 70-200 F2.8 (FD/EF?); comes with outdoor case and removable rig mounting ring
	G.L Optics 80											77	95				MF only	330					as of 2015	part of the Leica R Standard Speed Set; based on Leica R 80mm, max. aperture is F2.0; sets come in flight case
	G.L Optics 80											77	95				MF only	330					as of 2015	part of the Leica R Super Speed Set; based on Leica R 80mm, max. aperture is F1.4; sets come in flight case
	G.L Optics 85 Prime Lens		ana./dig. limited	8K			22				110		95				MF only	330					as of 2015	part of the Zeiss Regular/Standard Speed Set (feature identical aperture and focus ring positions); based on Zeiss Contax, max. aperture is F2.8; sets come in flight case
	G.L Optics 85 Prime Lens		ana./dig. limited	8K			16						95				MF only	330					as of 2015	optionally part of the Zeiss Regular/Standard Speed Set (feature identical aperture and focus ring positions); based on Zeiss Contax, max. aperture is F1.4; sets come in flight case
	G.L Optics 100 Macro Lens		ana./dig. limited			1:1	32						95				MF only						as of 2015	based on Tokina's 100mm F2.8 Macro AT-X M100 AF D PRO
	G.L Optics 135											77	95				MF only	330					as of 2015	part of the Leica R Super Speed and Standard Speed Sets; based on Leica R 135mm, max. aperture is F2.8; sets come in flight case
	G.L Optics 135		ana./dig. limited				22						95				MF only						as of 2015	based on Canon's EF 135mm F2.0L USM
	G.L Optics 200 Macro Lens		ana./dig. limited				22						95		fixed		MF only						as of 2015	base lens not specified, max. aperture is F4 (Nikon?)
	G.L Optics 200 Telephoto Lens		ana./dig. limited				32						95				MF only						as of 2015	based on Canon's FD 200mm F2.8
	G.L Optics 300 Prime Lens		ana./dig. limited				32						114				MF only						as of 2015	based on Canon's FD 300mm F2.8; comes with outdoor case and removable rig mounting ring
G.L Optics offer complete cine rehousings of several OEM still photography lenses (see comments above for details). The rehousings are made from 6063 aluminum, mounts are stainless steel. PL mount is standard but interchangeable, with Canon EF or Nikon mounts being the options. The website currently - as of 2015.03 - specifies this only for the 18-35, though on request at least EF mount availability was confirmed for all of them. CineGearPro also offers the lenses in both PL and EF mounts - or the EF mount as accessory. The lenses feature 0.8 module gear and dual sided scales in either feet or meters.
	Hartblei 35mm F2.8 TS-PC MC Digital Super-Rotator		ana./dig. limited		54		22	12			20	82		91	102	830	MF only		-/-	-/-		metal, thread, round	HB Kiev 2012	tilt range = 8°, shift range = 10mm (12mm?), rotation over full 360°; includes a panoramic tripod head and a gear driven follow focus
	Hartblei 45mm F3.5 TS-PC MC Digital Super-Rotator		ana./dig. limited		44		22	12			29	82		96	110	900	MF only		-/-	-/-		metal, thread, round	HB Kiev 2010	tilt range = 8°, shift range = 12mm, rotation over full 360°; includes a panoramic tripod head and a gear driven follow focus
	Hartblei 80mm F2.8 TS-PC MC Digital Super-Rotator Cine-Mod		ana./dig. limited		25		22	12			65	72		88	80	660	MF only		-/-	-/-			HB Kiev 2010	tilt range = 8°, shift range = 10mm (12mm?), rotation over full 360°; to tell from the product pictures, they have a gear on the focus ring; sells on ebay with tripod mount clamp included
The Hartblei lenses are completely non-electronical and feature the same anti-flare casing that were developed for the Zeiss-Hartblei prototypes (deep black matte interior ...).
	Hartblei-Zeiss 40mm F4.0 IF TS Super-Rotator		ana./dig. limited		49																		2012
	Hartblei-Zeiss 80mm F2.8 TS Super-Rotator		ana./dig. limited		25																		2012
	Hartblei-Zeiss 120mm F4.0 Makro TS Super-Rotator		ana./dig. limited		17																		2012
It's difficult to find any info here. Press release came in 2010, but except for the price list they are not further mentioned on the website. They feature module 0.8 gears identical to Zeiss CP.2. Refer to Still Lenses C/EF > Other Brands for technical specs of the standard versions.
	IB/E Optics 20mm T? Raptor Prime																						in development	according to Raptor Roadmap this release is planned for IBC 2018
	IB/E Optics 25mm T? Raptor Prime																						in development	according to Raptor Roadmap this release is planned for NAB 2018
	IB/E Optics 35mm T? Raptor Prime																						in development	according to Raptor Roadmap this release is planned for NAB 2018
	IB/E Optics 45mm T? Raptor Prime																						in development	according to Raptor Roadmap this release is planned for IBC 2018
	IB/E Optics 60mm T? Raptor Prime																						in development	according to Raptor Roadmap this release is planned for winter 2017-2018
	IB/E Optics 80mm T? Raptor Prime																						in development	according to Raptor Roadmap this release is planned for winter 2017-2018
	IB/E Optics 100mm T2.9* Raptor		ana./dig. limited			1:1	22	9			31		95		145	1550	MF only \| IF	~300					2016	*max. aperture is reduced to T5.3 at close focus; initially introduced as FF Apo Cine Macro
	IB/E Optics 150mm T2.9* Raptor		ana./dig. limited			1:1	22	9			38		95		145	1760	MF only \| IF	~300					2016	*max. aperture is reduced to T5.3 at close focus; initially introduced as FF Apo Cine Macro
	IB/E Optics 180mm T2.9* Raptor		ana./dig. limited			1:1	22	9			47		95		200	2480	MF only \| IF	~300					2016	*max. aperture is reduced to T5.3 at close focus; initially introduced as FF Apo Cine Macro
In the photography business IB/E is primarily known for the HandeVision Ibelux. Now IB/E is another company offering lenses with exchangeable Universal Lens Mount (i.e. see P+S below). Mount options include Canon EF, PL mount, Nikon F, Sony E and more. The lenses are completely non-electronical, only optionally support /i-Technology and Service Data Readout (SDR). Distances from flange to iris and focus control rings are consistent throughout the series for easy lens switching, control rings feature Standard 0.8 gear pitch. The lenses come with dual-sided scales. The series was introduced at Band Pro One World Open House 2015. They are up for preorder, presented samples seem to have been prototypes. Delivery dates are not mentioned in detail.
	NiSi 18mm T? F3 Full Frame																							an 18mm lens entry can be seen in the series' specs chart, no word is lost on it otherwise
	NiSi 25mm T2.1 F3 Full Frame		8K VistaVision	8K			22	12			18		95		117	1330	MF only	270					2018
	NiSi 35mm T2.0 F3 Full Frame		8K VistaVision	8K			22	12			30		95		117	1280	MF only	270					2018
	NiSi 50mm T2.0 F3 Full Frame		8K VistaVision	8K			22	12			45		95		117	1230	MF only	270					2018
	NiSi 75mm T2.0 F3 Full Frame		8K VistaVision	8K			22	12			70		95		117	1120	MF only	270					2018
	NiSi 100mm T2.0 F3 Full Frame		8K VistaVision	8K			22	12			55		95		117	1230	MF only	270					2018
NiSi F3 lenses come with user exchangeable lens mounts, options include Canon EF, PL mount and Sony E. The designs are based on the Bokkeh Optics Bokkelux lenses.
	P+S Technik 18-35mm T2.0 PS-Zoom [#30530/30550]		Super 35 limited				22						80		121	1100	MF only \| IF	250	yes				2015	based on Sigma AF 18-35mm F1.8 DC HSM \| Art optics; dedicated trolley [#30687] and alluminum lens case [#30686] available
P+S Zoom features the P+S IMS interchangeable mount system. IMS is a totally dumb, but allows to switch between mounts like you were used to do with T or Adaptall mount. Mounts are available for Canon EF [#30683], MFT, PL and E mount. The lens also features interchangeable scales (metric/imperial). Gears are module 0.8.
	PrimeCircle XE 15mm F2.8		ana./dig. limited	4K	100		22				25	90	95/114	116	113	1031	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2013	came with front mounts of Ø 95mm and 114mm
	PrimeCircle XM 15mm F2.8		ana./dig. limited	4K	100		22				25	90	95/114	116	113	1031	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2014	comes with front mounts of Ø 95mm and 114mm
	PrimeCircle XT 15mm F2.8		ana./dig. limited	4K	100		22			de-clicked	25	90	95/114	116	113	1028	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2012	came with front mounts of Ø 95mm and 114mm
	PrimeCircle XT 18mm F3.5		ana./dig. limited	4K	90		22			de-clicked	30	90	95	97	95	780	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2012
	PrimeCircle XE 21mm F2.8		ana./dig. limited	4K	81		22				22	90	95	97	122	1031	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2013
	PrimeCircle XM 21mm F2.8		ana./dig. limited	4K	81		22				22	90	95	97	122	1031	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2014
	PrimeCircle XT 21mm F2.8		ana./dig. limited	4K	81		22			de-clicked	22	90	95	97	122	849	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2012
	PrimeCircle XE 25mm F2.0		ana./dig. limited	4K	71		22	9	rounded		25	90	95	97	108	894	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2013
	PrimeCircle XM 25mm F2.0		ana./dig. limited	4K	71		22	9	rounded		25	90	95	97	108	894	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2014
	PrimeCircle XT 25mm F2.0		ana./dig. limited	4K	71		22	9	rounded	de-clicked	25	90	95	97	108	840	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2012
	PrimeCircle XE 28mm F2.0		ana./dig. limited	4K	65		22				24	90	95	97	106	876	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2013
	PrimeCircle XM 28mm F2.0		ana./dig. limited	4K	65		22				24	90	95	97	106	876	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2014
	PrimeCircle XT 28mm F2.0		ana./dig. limited	4K	65		22			de-clicked	24	90	95	97	106	776	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2012
	PrimeCircle XE 35mm F1.4		ana./dig. limited	4K	54		16	9	rounded		30	90	95	97	132	1135	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2013
	PrimeCircle XM 35mm F1.4		ana./dig. limited	4K	54		16	9	rounded		30	90	95	97	132	1335*	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2014	*most likely a copy/paste error in the 2014's spec sheet expected to read 1135g
	PrimeCircle XT 35mm F1.4		ana./dig. limited	4K	54		16	9	rounded	de-clicked	30	90	95	97	132	1081	MF only \| IF		-/-	-/-		Mat Box (optional)	LockCircle 2012
	PrimeCircle XE 50mm F1.4		ana./dig. limited	4K	38		16	9	rounded		45	90	95	97	101	652	MF only \| IF		-/-	-/-		Mat Box (optional)	LockCircle 2013
	PrimeCircle XM 50mm F1.4		ana./dig. limited	4K	38		16	9	rounded		45	90	95	97	132	652	MF only \| IF		-/-	-/-		Mat Box (optional)	LockCircle 2014
	PrimeCircle XT 50mm F1.4		ana./dig. limited	4K	38		16	9	rounded	de-clicked	45	90	95	97	101	597	MF only \| IF		-/-	-/-		Mat Box (optional)	LockCircle 2012
	PrimeCircle XE 50mm F2.0 Makro		ana./dig. limited	4K	38		22				24	90	95	97	101	845	MF only \| IF		-/-	-/-		Mat Box (optional)	LockCircle 2013
	PrimeCircle XT 50mm F2.0 Makro		ana./dig. limited	4K	38	1:2	22	9	rounded	de-clicked	24	90	95	97	101	770	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2012
	PrimeCircle XE 85mm F1.4		ana./dig. limited	4K	24		16	9	rounded		100	90	95	97	88	907	MF only \| IF		-/-	-/-		Mat Box (optional)	LockCircle 2013
	PrimeCircle XM 85mm F1.4		ana./dig. limited	4K	24		16	9	rounded		100	90	95	97	88	907	MF only \| IF		-/-	-/-		Mat Box (optional)	LockCircle 2014
	PrimeCircle XT 85mm F1.4		ana./dig. limited	4K	24		16	9	rounded	de-clicked	100	90	95	97	88	807	MF only \| IF		-/-	-/-		Mat Box (optional)	LockCircle 2012
	PrimeCircle XE 100mm F2.0 Makro		ana./dig. limited	4K	21		22				44	90	95	97	125	1080	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2013
	PrimeCircle XM 100mm F2.0 Makro		ana./dig. limited	4K	21		22				44	90	95	97	125	1080	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2014
	PrimeCircle XT 100mm F2.0 Makro		ana./dig. limited	4K	21	1:2	22			de-clicked	44	90	95	97	125	946	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2012
	PrimeCircle XE 135mm F2.0 Apochromatic		ana./dig. limited	4K	15.6		22	9	rounded		80	90	95	97	140	1330	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2013
	PrimeCircle XM 135mm F2.0 Apochromatic		ana./dig. limited	4K	15.6		22	9	rounded		80	90	95	97	140	1330	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle 2014
	PrimeCircle XT 135mm F2.0 Apochromatic		ana./dig. limited	4K	15.6		22	9	rounded		80	90	95	97	140	1330	MF only \| IF (FLE)		-/-	-/-		Mat Box (optional)	LockCircle
The PrimeCircle XT mods were based on ZF.2 lenses using the patented X-Circle EF Mount with Cine Lock (dumb mechanical mount). All lenses feature Side View Index (sideways orientation of aperture and focus scales) and a focus gear of 0.8 Mod standard. It was possible just to buy an XT conversion kit for your lens including the 95mm front ring, a focus ring attachment with gear, the mount and lens caps, but the results will look and be different from the factory mods. Optically they put a labeled cladding tube between focus and front ring. Mechanically they add aperture de-clicking and ring dampening, the mount is interchangeable (N/F and C/EF). PrimeCircle's XE series were cine conversions based on Zeiss ZE lenses. Their electronic aperture control was retained during the process. The lenses are equipped with Mod 0.8 standard gears for focus control. Standard finish is black, but there is a special Silver Series available as well. The XM series is a composition of Zeiss ZF/ZE glass in fully custom designed cine housings. The lenses come in either black or silver, with engraved Dual Side View Index scales - either metric or imperial (fluorescent imprints possible on special request). The Series was built as economical alternative to the Zeiss lenses and comes with an interchangeable mount - N/F and C/EF - and so far no word was lost on electronic coupling for EF, so I guess there is none. 0.8 Mod standard gears on focus and aperture control rings. The lenses are sold separately as well as in several different sets packed in one, two or even three hard cases (Prime Circle Flight Cases). Cases are available for single lenses (#PCFC1, 258 x 230 x 170mm), 2 lenses (#PCFC2, 237 x 182 x 155mm), 4 lenses (#PCFC4, 375 x 265 x 152mm), 6 lenses (#PCFC6, 409 x 306 x 175mm) and 8 lenses (#PCFC8, 480 x 360 x 198mm) as well as there is a trolley for 8 lenses (#PCFC8T, 285 x 510 x 199), all using the same dedicated foam lens bases (foam inserts - #LFB15, #LFB18, #LFB21, #LFB25, #LFB28, #LFB35, #LFB50, #LFB50M, #LFB85, #LFB100M and #LFB135). The 90mm filter thread takes Prime Circle 90 Series step-down adapter rings.
	Rokinon V-DSLR 8mm T3.8 Fish-Eye CS [RK8MV-C]		APS-C limited		167 diag.		22	6	polygonal	stepless	30		75		77.3	418	MF only \| IF		-/-	-/-		built-in, flower	Samyang 2012
	Rokinon V-DSLR 8mm T3.8 UMC Fish-Eye CS II [RKHD8MV-C]		APS-C limited		167 diag.		22	6	polygonal	stepless	30		75		75.1	455	MF only \| IF		-/-	-/-		bayonet, flower	Samyang 2012
	Rokinon V-DSLR 10mm T3.1 ED AS NCS CS CA [CV10M-C] Rokinon Cine DS 10mm T3.1 ED AS NCS CS CA [DS10M-C]		APS-C limited		95.5		22	6	rounded	stepless	24	-/-		87	106.1	600	MF only \| IF		-/-	-/-		built-in, flower	Samyang 2014
	Rokinon Cine DS 12mm T3.1 ED AS (NCS*) UMC Fish-Eye [DS12M-C]		ana./dig. limited		180 diag.		22	7	rounded	stepless	20	-/-		81.6	72.7	525	MF only \| IF		-/-	-/-		bayonet, flower	Samyang 2014	*NCS according to announcement, UMC according to product pictures, "[highly] effective nanocrystal anti-reflection (NCS) coating applied together with UMC coatings improve light transmission and reduce ghosting" according to B&H
	Rokinon V-DSLR 14mm T3.1 ED AS IF UMC EOS [CV14M-C] Rokinon Cine DS 14mm T3.1 ED AS IF UMC CA [DS14M-C]		ana./dig. limited		105.8		22	6	polygonal	stepless	28	none, use SFH-14	87		96.1	620	MF only \| IF	~240	-/-	-/-		bayonet, flower	Samyang 2012 Samyang 2014
	Rokinon V-DSLR 16mm T2.2 ED AS UMC CS CA [CV16M-C] Rokinon Cine DS 16mm T2.2 ED AS UMC CS CA [DS16M-C]		APS-C limited		69.4		22	8		stepless	20	77	83		89.4	590	MF only \| IF		-/-	-/-		bayonet, flower	Samyang 2013 Samyang 2014
	Rokinon Cine DS 16mm T2.6 ED AS UMC CA [FFDS16-C]		ana./dig. limited				22	9		stepless	30			81.6	96.1	530	MF only \| IF		-/-	-/-		built-in, flower	Samyang 2017
	Rokinon Cine DS 20mm T1.9 ED AS UMC CA [DS20M-C]		ana./dig. limited				22	7	rounded	stepless	20	77	83		88.4	518	MF only		-/-	-/-		bayonet, flower	Samyang 2016
	Rokinon V-DSLR 24mm T1.5 ED AS IF UMC EOS [CV24M-C] Rokinon Cine DS 24mm T1.5 ED AS IF UMC CA [DS24M-C]		ana./dig. limited		73.8		22	8	polygonal	stepless	25	77	83		97.5	615	MF only	140	-/-	-/-		bayonet, flower	Samyang 2012 Samyang 2014
	Rokinon V-DSLR 35mm T1.5 AS UMC EOS [CV35-C] Rokinon Cine DS 35mm T1.5 AS UMC CA [DS35M-C]		ana./dig. limited		54.1		22	8		stepless	30	77	83		111.5	700	MF only		-/-	-/-		bayonet, flower	Samyang 2012 Samyang 2014
	Rokinon Cine DS 50mm T1.5 AS UMC CA [DS50M-C]		ana./dig. limited		39.1		22	8	rounded	stepless	45	77	81.6		74.7	575	MF only		-/-	-/-		bayonet, flower	Samyang 2014
	Rokinon V-DSLR 85mm T1.5 AS IF UMC EOS [CV85M-C] Rokinon Cine DS 85mm T1.5 AS IF UMC CA [DS85M-C]		ana./dig. limited		23.7		22	8		stepless	110	72	78		74.7	580	MF only		-/-	-/-		bayonet, round	Samyang 2013
	Rokinon Cine DS 100mm T3.1 ED UMC Macro CA [DS100M-C]		ana./dig. limited		24.8	1:1	32	9	rounded	stepless	31	67		81.6	123.1	725	MF only		-/-	-/-		bayonet, round	ann. in 04.2015
	Rokinon Cine DS 135mm T2.2 ED UMC [DS135M-C]		ana./dig. limited		15.7		22	9	rounded	stepless	80	77		82	122.1	835	MF only \| FLE		-/-	-/-		bayonet, round	ann. in 01.2015
Rokinon's cine lenses are based on the standard lenses for still photography, but optimized for video applications. This includes follow focus gears, aperture declicking and the relocation of scales to the side of the lenses. The Rokinon Cine DS Series was introduced in 2014 as their 2nd generation line of VDSLR lenses. They are color matched and feature unified gear positions among all lenses as well as focusing scales on both sides of the lens (DS = Dual Scale). Refer to Still Lenses C/EF > Samyang for a list of Rokinon photography lenses.
	RPlens Canon FD Standard Speed Set		ana./dig. limited	includes FD 2/24, 2/35, 1.4/50, 1.8/85 and 2/100						de-clicked			80 and 95				MF only		-/-	-/-
	RPlens Canon FD Hi-Speed L Set		ana./dig. limited	includes FD 1.4/24, 1.2/50 and 1.2/85L						de-clicked			80 and 95				MF only		-/-	-/-				the set can be extended by adding non-L lenses like FD 2/35 and 2/135
	RPlens Nikon Standard Speed Set		ana./dig. limited	includes 2/24, 2/35, 1.4/50, 2/85 and 2.5/105						de-clicked			80 and 95				MF only		-/-	-/-
	RPlens Nikon Hi-Speed Set		ana./dig. limited	includes 1.4/35, 1.2/50 and 1.4/85						de-clicked			80 and 95				MF only		-/-	-/-
	RPlens Zeiss ZF Set		ana./dig. limited	includes 2.8/25, 2/35, 1.4/50 and 1.4/85						de-clicked			80 and 95				MF only		-/-	-/-
The RPlens mods include aperture de-clicking, a dampened focus ring, 32 pitch focus gear (delrin, press-fit), black aluminum front ring and a push-on cap. The lenses can be ordered with any lens mount, Canon EF only being one of them, or left in original mount and be used with commonly available adapters.
	Samyang V-DSLR 8mm 1:3.5 Fish-Eye CS EOS		APS-C limited		167 diag.		22	6	polygonal	stepless	30	-/-	95	95	77.3	475	MF only \| IF		-/-	-/-		none*	ann. in 2011**	lens hood gone in favor of a huge 95mm front ring; *first and only model contained in the 2011's Catalog announcing the back then upcomming VDSLR series - as far as I can tell this version never made it into the market
	Samyang V-DSLR 8mm T3.8 Fish-Eye CS EOS [SY8MV-C]		APS-C limited		167 diag.		22	6	polygonal	stepless	30	-/-	75		77.3	418	MF only \| IF		-/-	-/-		built-in, flower	2012	also sold by Rokinon and Walimex
	Samyang V-DSLR 8mm T3.8 UMC Fish-Eye CS II EOS [SYHD8MV-C]		APS-C limited		167 diag.		22	6	polygonal	stepless	30	-/-	75		75.1	455	MF only \| IF		-/-	-/-		bayonet, flower	2012	also sold by Bower, Rokinon and Walimex
	Samyang V-DSLR 8mm T3.8 UMC Fish-Eye CS II CA		APS-C limited		167 diag.		22	6	polygonal	stepless	30	-/-	77.8		75.1	455	MF only \| IF		-/-	-/-		bayonet, flower	2014
	Samyang V-DSLR 10mm T3.1 ED AS NCS CS [SYCV10M-C] Samyang V-DSLR 10mm T3.1 ED AS NCS CS II CA		APS-C limited		95.5		22	6	rounded	stepless	24	-/-		87	106.1	600	MF only \| IF		-/-	-/-		built-in, flower	2014	also sold by Rokinon and Walimex
	Samyang V-DSLR 12mm T3.1 ED AS NCS Fish-Eye CS II CA		ana./dig. limited		180 diag.		22	7	rounded	stepless	20	-/-		81.6	72.7	525	MF only \| IF		-/-	-/-		bayonet, flower	2015	also sold by Rokinon and Walimex
	Samyang V-DSLR 14mm T3.1 ED AS IF UMC EOS [SY14V-C][SYCV14M-C] Samyang V-DSLR 14mm T3.1 ED AS IF UMC II CA		ana./dig. limited		105.8		22	6	polygonal	stepless	28	none, use SFH-14	87		96.1	620	MF only \| IF	~240	-/-	-/-		bayonet, flower	2012 2014	also sold as Bower, Rokinon and Walimex
	Samyang V-DSLR 16mm T2.6 ED AS UMC CA		ana./dig. limited		106.9		22	9	rounded	stepless	30			81.6	96.1	530	MF only \| IF		-/-	-/-		built-in, flower	2017	also sold as Rokinon
	Samyang V-DSLR 16mm T2.2 ED AS UMC CS CA [SYCV16M-C]		APS-C limited		69.4		22	8		stepless	20	77	83		89.4	590	MF only \| IF		-/-	-/-		bayonet, flower	2013	also sold as Bower, Rokinon and Walimex
	Samyang V-DSLR 20mm T1.9 ED AS UMC CA		ana./dig. limited				22	7	rounded	stepless	20	77	83		88.4	518	MF only		-/-	-/-		bayonet, flower	2016	also sold by Rokinon
	Samyang V-DSLR 24mm T1.5 ED AS IF UMC EOS [SY24V-C][SYCV24M-C] Samyang V-DSLR 24mm T1.5 ED AS IF UMC II CA		ana./dig. limited		73.8		22	8	polygonal	stepless	25	77	83		97.5	615	MF only	140	-/-	-/-		bayonet, flower	2012 2014	also sold as Bower, Rokinon and Walimex
	Samyang V-DSLR 35mm T1.5 AS UMC EOS [SY35V-C][SYCV35M-C] Samyang V-DSLR 35mm T1.5 AS UMC II CA		ana./dig. limited		54.1		22	8		stepless	30	77	83		111.5	700	MF only		-/-	-/-		bayonet, flower	2012 2014	also sold as Bower, Rokinon and Walimex
	Samyang V-DSLR 50mm T1.5 AS UMC CA [SYDS50M-C]		ana./dig. limited		39.1		22	8	rounded	stepless	45	77	81.6		74.7	575	MF only		-/-	-/-		bayonet, flower	2014	also sold as Rokinon and Walimex	PhotoZone tested on EOS 5D Mark II
	Samyang V-DSLR 85mm T1.5 AS IF UMC EOS [SY85V-C][SYCV85M-C] Samyang V-DSLR 85mm T1.5 AS IF UMC II CA		ana./dig. limited		23.7		22	8		stepless	110	72	78		74.7	580	MF only		-/-	-/-		bayonet, round	2013 2014	also sold as Bower, Rokinon and Walimex
	Samyang V-DSLR 100mm T3.1 ED UMC Macro CA [SYDS...-C]		ana./dig. limited		24.8	1:1	32	9	rounded	stepless	31	67		81.6	123.1	725	MF only		-/-	-/-		bayonet, round	ann. in 04.2015	also sold as Rokinon and Walimex Pro
	Samyang V-DSLR 135mm T2.2 ED UMC CA [SYDS135M-C]		ana./dig. limited		15.7		22	9	rounded	stepless	80	77		82	122.1	835	MF only \| FLE		-/-	-/-		bayonet, round	ann. in 01.2015	also sold as Rokinon and Walimex Pro	PhotoZone tested on EOS 5D Mark II
Samyang's cine lenses are based on their still photography lenses, but are optimized for video applications. This includes aperture declicking, relocation of scales to the side of the lenses and follow focus gears. Samyang V-DSLR CS II/UMC II Series was introduced in 2014 as 2nd generation line of VDSLR lenses. They are color matched and feature unified gear positions to allow a faster swap of lenses. Although not labeled accordingly, by following the product IDs the T1.5/50, T3.1/100 Macro as well as the T2.2/135 should be manufactured according to the standards of the CS II/UMC II series as well. Refer to Still Lenses C/EF > Samyang for a list of Samyang photography lenses and all its rebadges.
	Schneider-Kreuznach 14mm T2.2 Cine-Xenar III		APS-H limited	5K			16	18	circular			100	104	110	151.5		MF only \| IF	270	-/-	-/-			2014
	Schneider-Kreuznach 18mm T2.4 Xenon FF-Prime		ana./dig. limited	4K	89		22	14	circular	stepless	40	-/-	100		130.2	1390	MF only \| IF		-/-	-/-			2017
	Schneider-Kreuznach 18mm T2.2 Cine-Xenar III		APS-H limited	5K	75		16	18	circular		26	100	104	110	151.5	2060	MF only \| IF	270	-/-	-/-			2012
	Schneider-Kreuznach 25mm T2.2 Cine-Xenar II		APS-H limited	4K	58		16	14	circular		26	100	104		166	2310	MF only \| SH		-/-	-/-			2010
	Schneider-Kreuznach 25mm T2.2 Cine-Xenar III		APS-H limited	5K	58		16	18	circular		26	100	104	110	151.5	1890	MF only \| IF	270	-/-	-/-			2012
	Schneider-Kreuznach 25mm T2.1 Xenon FF-Prime		ana./dig. limited	4K	72		22	14	circular	stepless	31	95	100	100	130.2	1300	MF only		-/-	-/-			2013	initially introduced at Photokina 2012 as Video-Xenon Series
	Schneider-Kreuznach 35mm T2.1 Cine-Xenar II		APS-H limited	4K	43		16	14	circular		35	100	104		166	2200	MF only \| SH		-/-	-/-			2010
	Schneider-Kreuznach 35mm T2.1 Cine-Xenar III		APS-H limited	5K	43		16	18	circular		35	100	104	110	151.5	1830	MF only \| IF	270	-/-	-/-			2012
	Schneider-Kreuznach 35mm T2.1 Xenon FF-Prime		ana./dig. limited	4K	54		22	14	circular	stepless	35	95	100	100	130.2	1100	MF only		-/-	-/-			2013
	Schneider-Kreuznach 50mm T2.1 Xenon FF-Prime		ana./dig. limited	4K	54		22	14	circular	stepless	50	95	100	100	130.2	1100	MF only		-/-	-/-			2013	initially introduced at Photokina 2012 as Video-Xenon Series
	Schneider-Kreuznach 50mm T2.0 Cine-Xenar II		APS-H limited	4K	31		16	12	circular		35	100	104		166	1930	MF only \| SH		-/-	-/-			2010
	Schneider-Kreuznach 50mm T2.0 Cine-Xenar III		APS-H limited	5K	31		16	18	circular		35	100	104	110	151.5	1590	MF only \| IF	270	-/-	-/-			2012
	Schneider-Kreuznach 75mm T2.1 Xenon FF-Prime		ana./dig. limited	4K	27		22	14	circular	stepless	98	95	100	100	130.2	1100	MF only		-/-	-/-			2013	initially introduced at Photokina 2012 as Video-Xenon Series
	Schneider-Kreuznach 75mm T2.0 Cine-Xenar II		APS-H limited	4K	21		16	12	circular		45	100	104		166	1970	MF only \| SH		-/-	-/-			2010
	Schneider-Kreuznach 75mm T2.0 Cine-Xenar III		APS-H limited	5K	21		16	18	circular		45	100	104	110	151.5	1690	MF only \| IF	270	-/-	-/-			2012
	Schneider-Kreuznach 95mm T2.0 Cine-Xenar II		APS-H limited	4K	17		16	18	circular		65	100	104		166	2150	MF only \| SH		-/-	-/-			2010
	Schneider-Kreuznach 95mm T2.0 Cine-Xenar III		APS-H limited	5K	17		16	18	circular		65	100	104	110	151.5	1810	MF only \| IF	270	-/-	-/-			2012
	Schneider-Kreuznach 100mm T2.1 Xenon FF-Prime		ana./dig. limited	4K	20		22	14	circular	stepless	100	95	100	100	130.2	1100	MF only		-/-	-/-			2013
	Schneider-Kreuznach 135mm T2.1 Xenon FF-Prime		ana./dig. limited	4K	15		22	14	circular	stepless	100	95	100		140.5	1300	MF only \| IF		-/-	-/-			ann. in 2014*	*as of 12.2017 neither contained in the price lists nor mentioned to be on preorder, but it's still in the catalogues ... hang in there
Cine-Xenar II lenses are a joint venture in cooperation with IB/E Optics. The lenses are referred to as MKII in their catalog, but don't have any MKII engravings or imprints on the lens. The lenses are color matched and feature gear rims module 0.8 with 130 teeth. 20mm wide follow focus gear is recommended. The lenses are available with interchangeable feet or metric distance scale. Cine-Xenar III lenses are color matched. They feature focus gear rims module 0.8 with 123 teeth and iris gear rims mod. 0.8 with 118 teeth. The lenses are available with interchangeable feet or metric distance scale as well. Mount options besides Canon EF includes PL mount. The mounts are interchangeable. Refer to Still Lenses C/EF > Other Brands for a list of Schneider-Kreuznach lenses for still photography.
	Sigma 14mm T2.0 FF High Speed Prime		analog/digital	8K	104.3		16	9	rounded		27	-/-	95		119.5	1430		180	-/-	-/-		built-in, flower	2017	based on the Sigma AF 14mm F1.8 DG HSM \| Art; Sigma Clamb-On Ring COR-11 extends the shade and front Ø to 162mm
	Sigma 18-35mm T2.0 High Speed Zoom [210]		Super 35	8K	68.7 - 38.7		16	9	rounded		28	82	95		129.5	1445		180	no	rotary			2016
	Sigma 20mm T1.5 FF High Speed Prime [412]		analog/digital	8K	84.0		16	9	rounded		28	-/-	95		118	1335		180	-/-	-/-			2017
	Sigma 24mm T1.5 FF High Speed Prime [401]		analog/digital	8K	73.7		16	9	rounded		25	82	95		95	1125		180	-/-	-/-			2017
	Sigma 24-35mm T2.2 FF Zoom [588]		analog/digital	8K	73.7 - 54.4		16	9	rounded		28	82	95		122.7	1440		180		rotary			ann. for 05.2017
	Sigma 28mm T1.5 FF High Speed Prime		analog/digital	8K	65.5		16	9	rounded		30	82	95		107.7	1300			-/-	-/-			ann. f. Q1 2019
	Sigma 35mm T1.5 FF High Speed Prime [340]		analog/digital	8K	54.4		16	9	rounded		30	82	95		95	1135		180	-/-	-/-			2017
	Sigma 40mm T1.5 FF High Speed Prime		analog/digital	8K	48.5		16	9	rounded		40	82	95		131	1560			-/-	-/-			ann. f. 12.2018
	Sigma 50mm T1.5 FF High Speed Prime [311]		analog/digital	8K	39.6		16	9	rounded		40	82	95		102	1295		180	-/-	-/-			2017
	Sigma 50-100mm T2.0 High Speed Zoom [693]		Super 35	8K	27.6 - 14.0		16	9	rounded		95	82	95		175.2	1885		180	no	rotary			2016
	Sigma 85mm T1.5 FF High Speed Prime [321]		analog/digital	8K	23.9		16	9	rounded		85	86	95		134.5	1475		180	-/-	-/-			2017
	Sigma 105mm T1.5 FF High Speed Prime		analog/digital	8K	19.5		16	9	rounded		100		95		134.2	1775			-/-	-/-			ann. f. 10.2018
	Sigma 135mm T2.0 FF High Speed Prime		analog/digital	8K	15.2		16	9	rounded		88	82	95		126.4	1565		180	-/-	-/-			2017	based on the Sigma AF 135mm F1.8 DG HSM \| Art
Sigma cine lenses feature full metal barrels, dust and moisture sealings, luminous engravements, standardized gear ring positions and 0.8 type gears with identical control ring rotation angles (zoom 160°, T-stops 60°). They all come with removable lens support. Scales are exchangeable (against a service fee) from metric to imperial and the other way around. The lenses further feature an electronic mount. Mount conversion service is available for all but PL mount lenses, and the EF mount lenses are compatible with Sigma's MC-11 EF-E mount adapter. Refer to Still Lenses C/EF > Sigma for Sigma's lenses for still photography.
	Technical Farm Canon EF 16-35mm F2.8L II USM		analog/digital		97 - 54	1:4.5	22	7	rounded		28	82/R-Gel			111.6		IF		yes	rotary	yes	EW-88	2011
	Technical Farm Canon EF 24-70mm F2.8L USM		analog/digital		74 - 29	1:3.4	22	8	rounded		38	77			124		IF		yes	rotary	yes	EW-83F	2011
	Technical Farm Canon EF 70-200mm F2.8L IS II USM		analog/digital		29 - 10	1:4.8	32	8	rounded		120	77			199		IF		?	rotary	yes	ET-87	2011
Technical Farm modified the Canon lenses above by adding an aperture control ring for manual control. Aiming at cinematographers, they also added gears for follow focus etc. to every control ring.
	Tokina Cinema AT-X 11-16mm T3.0 [TC-116C]		Super 35mm ltd.	4K		1:11.6	22	9	rounded	stepless	35	77	84	84	91.7 (97.9)	690	MF only		yes	rotary		BH-77A
	Tokina Cinema AT-X 16-28mm T3.0 [TC-168C]		Super 35mm ltd.	4K	97 - 66	1:5.3	22	9	rounded	stepless	28	112	114	123	135 (140.5)	1500	MF only \| IF		yes	rotary	yes		2014	EF mount version was innitially announced for 11.2013, actual release according to Photokina staff followed in approx. 06.2014; feat. focus, zoom and aperture gears, scales to be read from aside
	Tokina Cinema AT-X 16-28mm T3.0 II		ana./dig. limited	8K	97 - 66	1:5.3	22	9			28	112	114	114	135 (140.5)	1830	MF only \| IF	~300	yes	rotary			2017
	Tokina Cinema AT-X 50-135mm T3.0 [TC-535C]		Super 35mm ltd.	4K		1:5.9	22	9	rounded	stepless	100	112	114	123	150 (155.5)	1530	MF only		yes	rotary			2015
	Tokina Cinema AT-X 100mm T2.9 Macro [TC-M100EF]		ana./dig. limited	4K		1:1	32	9	rounded	stepless	30	82	88	88	146.5	1310	MF only		-/-	-/-			~2015
Cinema AT-X lenses are made for cinematography. They come in typical cine housings, complete with focus and zoom gears. The announcing press release for the 16-28mm T3 confirms, that its lens design is based on the existing 2.8/16-28 photo lens, which covers full frame sensors. In contrary the 2.8/11-16 and 2.8/50-135 stills lenses were built with a DX formula. Thus the 16-28mm T3 might or might not cover full frame, while the other two lenses mentioned most likely won't.
	Tokina VDSLR 10-17mm 3.5-4.5 DX NH Fish-Eye AT-X 107 AF V		APS-C			1:2.6	22	6			14	none		69.9	70.9	350	IF			rotary		none
	Tokina VDSLR 11-16mm 2.8 DX AT-X 116 AF PRO V		APS-C			1:11.6	22	9			30	77		84	89.2	550	IF \| FC			rotary		BH-77B (bayon., flower)
	Tokina VDSLR 12-28mm 4.0 SD DX AT-X AF PRO V		APS-C			1:5	22	9			25	77		84	90.2	530	IF \| FC			rotary		BH-77B (bayon., flower)
	Tokina VDSLR 17-35mm 4.0 SD FX AT-X 173 AF PRO V		analog/digital			1:4.8	22	9			28	82		89	94.5	600	IF \| FC			rotary		BH-821 (bayon., flower)
The VDSLR series consists of normal stills photography lenses equipped with follow focus gear, but no zoom gear.
	Tokina Vista Cinema Prime 18mm T1.5 AT-X		ana./dig. limited	8K															-/-	-/-			2017
	Tokina Vista Cinema Prime 25mm T1.5 AT-X		ana./dig. limited	8K		1:7.8	22	9			35	112	114	114	149 (155)	2270	MF only \| IF		-/-	-/-			2017
	Tokina Vista Cinema Prime 35mm T1.5 AT-X		ana./dig. limited	8K		1:7.8	22	9			41	112	114	114	139 (145)	2030	MF only \| IF	~300	-/-	-/-			2017
	Tokina Vista Cinema Prime 50mm T1.5 AT-X		ana./dig. limited	8K		1:7	22	9			48	112	114	114	139 (145)	2190	MF only \| IF	~300	-/-	-/-			2017
	Tokina Vista Cinema Prime 85mm T1.5 AT-X		ana./dig. limited	8K		1:9.9	22	9			95	112	114	114	139 (145)	2230	MF only \| IF	~300	-/-	-/-			2017
Refer to Still Lenses C/EF > Tokina for a list of Tokina photography lenses.
	UniQoptics Razor 7D/DC-7 Series 18mm/25mm/35mm		APS-H limited	5K	75/58/43								110 (?)				MF only		-/-	-/-			announced 2010	optics co-developed with Hyperion Development, LLC
	UniQoptics Razor 7D/DC-7 Series 50mm/85mm/100mm T1.9		ana./dig. limited	5K	40/24/20								110 (?)				MF only		-/-	-/-			announced 2010	optics co-developed with Hyperion Development, LLC
The series was shown at NAB 2010 and reported to fit APS-H and FF as given above, although official specs and announcements state APS-H at max. for the whole series ("up to 43mm image circle"). The series was to feature color matched optics, focus and iris gears in uniform diameter, single window scales and industry standard lens form factor. A dedicated "0.6x Wide Angle Adapter" was also planned to become available, turning the 18mm into a 10.8mm lens. The product flyer says 0.7x. Until 2014 the series was never covered in the company's online portfolio, nor is there just a single prove of existence to be found online (by means of reported samples in ownership or having been sold etc.). The series is however mentioned in the price list of 2010 as being available. After all, somewhat looks like at best only prototypes are existing. UniQoptics also offered the Kenji Suematsu Signature Series 18mm, 25mm, 35mm, 50mm, 85mm and 100mm T1.9 in PL mount (110mm front diameter, PL-EF adapter available, test available by Alfonso Parra). Additional 14mm T1.9 and 16mm T1.9 lenses were announced in 2010 for both series (listed TBA for the Signature series only in the 2010 price list), but neither made it to the markets. UniqOptics ceased from business until 2012, in 2014 Duclos Lenses published a press release about having acquired some of their remains - spare parts for the Signature Series among other stuff. The Razor 7Ds were not amongst.
	Walimex Pro 8mm T3.8 UMC Fish-Eye CS VDSLR [18395]		APS-C limited		167 diag.		22	6	polygonal	stepless	30	-/-	75		77.3	418	MF only \| IF		-/-	-/-		built-in, flower	Samyang 2012
	Walimex Pro 8mm T3.8 UMC Fish-Eye CS II VDSLR [18709]		APS-C limited		167 diag.		22	6	polygonal	stepless	30	-/-		77.3	75	420	MF only \| IF		-/-	-/-		metal, removable, flower	Samyang 2012	EOS-M version [20133] available
	Walimex Pro 10mm T3.1 ED AS NSC CS VDSLR [20181]		APS-C limited		95.5		22	6	rounded	stepless	24	-/-		87	106.1	600	MF only \| IF		-/-	-/-		built-in, flower	Samyang 2014	EOS-M version [20188] available
	Walimex Pro 12mm T3.1 ED AS (NCS*) UMC VDSLR [20602]		ana./dig. limited		180 diag.		22	7	rounded	stepless	20	-/-		81.6	72.7	525	MF only \| IF		-/-	-/-		bayonet, flower	Samyang 2014	*"[highly] effective nanocrystal anti-reflection (NCS) coating applied together with UMC coatings improve light transmission and reduce ghosting" according to B&H; EOS-M version [20162] available
	Walimex Pro 14mm T3.1 ED AS IF UMC VDSLR [18823]		ana./dig. limited		105.8		22	6	polygonal	stepless	28	none, use SFH-14	87		96.1	620	MF only \| IF	~240	-/-	-/-		bayonet, flower	Samyang 2013	EOS-M version [20118] available
	Walimex Pro 16mm T2.2 VDSLR [19784]		APS-C limited		69.4		22	8		stepless	20	77	83		89.4	590	MF only \| IF		-/-	-/-		bayonet, flower	Samyang 2013	EOS-M version [19788] available
	Walimex Pro 24mm T1.5 VDSLR [18805]		ana./dig. limited		73.8		22	8	polygonal	stepless	25	77	83		97.5	615	MF only	140	-/-	-/-		bayonet, flower	Samyang 2012	EOS-M version [20102] available
	Walimex Pro 35mm T1.5 AS UMC VDSLR [18716]		ana./dig. limited		54.1		22	8		stepless	30	77	83		111.5	700	MF only		-/-	-/-		bayonet, flower	Samyang 2012	EOS-M version [20110] available
	Walimex Pro 50mm T1.5 VDSLR [20402]		ana./dig. limited		39.1		22	8	rounded	stepless	45	77	81.6		74.7	575	MF only		-/-	-/-		bayonet, flower	Samyang 2014	EOS-M version [20405] available
	Walimex Pro 85mm T1.5 AS IF UMC VDSLR [19449]		ana./dig. limited		23.7		22	8		stepless	110	72	78		74.7	580	MF only		-/-	-/-		bayonet, round	Samyang 2013	EOS-M version [20126] available
	Walimex Pro 100mm T3.1 ED UMC Macro VDSLR [20842]		ana./dig. limited		24.8	1:1	32	9	rounded	stepless	31	67		81.6	123.1	725	MF only		-/-	-/-		bayonet, round	Samyang ~2017	EOS-M version [20857] available
	Walimex Pro 135mm T2.2 ED UMC VDSLR [20743]		ana./dig. limited		15.7		22	9	rounded	stepless	80	77		82	122.1	835	MF only \| FLE		-/-	-/-		bayonet, round	Samyang 2015	EOS-M version [20747] available
Compared to the standard stills photography lenses the VDSLR versions feature follow focus gears and the scales are relocated sideways. Refer to Still Lenses C/EF > Samyang for a list of Walimex stills photography lenses.
	Xeen 14mm T3.1 Cinema Lens		ana./dig. limited	4K			22	9		declicked	28		114	117.6	88.3	1170	MF only	200				deep barrel	Samyang 2016
	Xeen 16mm T2.6 Cinema Lens		ana./dig. limited	4K			22	11		declicked	30		114	117.6	95.3	1175	MF only	200				deep barrel	Samyang 2017
	Xeen 20mm T1.9 Cinema Lens		ana./dig. limited	4K			22	11	rounded	declicked			114				MF only	200				deep barrel	Samyang 2017
	Xeen 24mm T1.5 Cinema Lens		ana./dig. limited	4K			22	11	rounded	declicked	25		114	117.6	121.7	1180	MF only	200				deep barrel	Samyang 2015
	Xeen 35mm T1.5 Cinema Lens		ana./dig. limited	4K			22	11		declicked	33		114	117.6	121.7	1375	MF only	200				deep barrel	Samyang 2016
	Xeen 50mm T1.5 Cinema Lens		ana./dig. limited	4K			22	11	rounded	declicked	45		114	117.6	121.7	1160	MF only	200				deep barrel	Samyang 2015
	Xeen 85mm T1.5 Cinema Lens		ana./dig. limited	4K			22	11	rounded	declicked	112		114	117.6	121.7	1245	MF only	200				deep barrel	Samyang 2015
	Xeen 135mm T2.2 Cinema Lens		ana./dig. limited	4K			22	11		declicked	80		114	117.6	121.7	1394	MF only	200				deep barrel	Samyang 2016
Xeen lenses are produced by Samyang and distributed by Samyang and Rokinon. They come with an interchangeable mount for easy switching between systems including Canon EF, PL, F, E and MFT. Also, aperture and focus control rings of all focal lengths are placed in identical positions. The housing barrels are made of aluminum. Focus scales are available in metric or imperial units. The lenses feature a new X coating.
	Zeiss Compact Prime 15mm T2.9 Distagon T* CP.2 15		ana./dig. limited	4K	100		22	14	circular		30		114		86	900	MF only	300	-/-	-/-			2012
	Zeiss Compact Prime 15mm T2.9 Distagon T* CP.3 15		ana./dig. limited		100		22	14	circular		30		95		83.7*	870	MF only	300	-/-	-/-			2017	*with PL mount
	Zeiss Compact Prime 18mm T3.6 Distagon T* CP.2 18		APS-H limited*	4K	75		22	14	circular		30		114		80	900	MF only	300	-/-	-/-		deep barrel	2010	*according to Zeiss' brochure this lens does not fill full frame SLRs' image circle, but the lens design is based on a full frame lens
	Zeiss Compact Prime 18mm T2.9 Distagon T* CP.3 18		ana./dig. limited		89		22	14	circular		30		95		83.7*	860	MF only	300	-/-	-/-			2017	*with PL mount
	Zeiss Compact Prime 21mm T2.9 Distagon T* CP.2 21		ana./dig. limited	4K	81		22	14	circular		24		114		80	1000	MF only	300	-/-	-/-		deep barrel	2010
	Zeiss Compact Prime 21mm T2.9 Distagon T* CP.3 21		ana./dig. limited		81		22	14	circular		24		95		83.7*	820	MF only	300	-/-	-/-			2017	*with PL mount
	Zeiss Compact Prime 25mm T2.9 Distagon T* CP.2 25		ana./dig. limited	4K	72		22	14	circular		17		114		80	900	MF only	300	-/-	-/-		deep barrel	2010 - 2010
	Zeiss Compact Prime 25mm T2.1 Distagon T* CP.2 25		ana./dig. limited	4K	72		22	14	circular		26		114		80	900	MF only	300	-/-	-/-			2012
	Zeiss Compact Prime 25mm T2.1 Distagon T* CP.3 25		ana./dig. limited		72		22	14	circular		26		95		83.7*	820	MF only	300	-/-	-/-			2017	*with PL mount
	Zeiss Compact Prime 28mm T2.1 Distagon T* CP.2 28		ana./dig. limited	4K	66		22	14	circular		24		114		80	1000	MF only	300	-/-	-/-		deep barrel	2010
	Zeiss Compact Prime 28mm T2.1 Distagon T* CP.3 28		ana./dig. limited		65		22	14	circular		24		95		83.7*	840	MF only	300	-/-	-/-			2017	*with PL mount
	Zeiss Compact Prime 35mm T2.1 Distagon T* CP.2 35		ana./dig. limited	4K	54		22	14	circular		30		114		80	1000	MF only	300	-/-	-/-		deep barrel	2010
	Zeiss Compact Prime 35mm T2.1 Distagon T* CP.3 35		ana./dig. limited		54		22	14	circular		30		95		83.7*	800	MF only	300	-/-	-/-			2017	*with PL mount
	Zeiss Compact Prime 35mm T1.5 Distagon T* CP.2 35 Super Speed		ana./dig. limited	4K	54		22	14	circular		30		114		91	1100	MF only	300	-/-	-/-			2012
	Zeiss Compact Prime 50mm T2.1 Planar T* CP.2 50		ana./dig. limited	4K	40		22	14	circular		45		114		80	900	MF only	300	-/-	-/-		deep barrel	2010
	Zeiss Compact Prime 50mm T2.1 Planar T* CP.3 50		ana./dig. limited		40		22	14	circular		45		95		83.7*	770	MF only	300	-/-	-/-			2017	*with PL mount
	Zeiss Compact Prime 50mm T1.5 Planar T* CP.2 50 Super Speed		ana./dig. limited	4K	40		22	14	circular		45		114		80	900	MF only	300	-/-	-/-			2012
	Zeiss Compact Prime 50mm T2.1 Macro-Planar T* CP.2 50		ana./dig. limited	4K	40		22	14	circular		24		134		132	1350	MF only	300	-/-	-/-		deep barrel	2010
	Zeiss Compact Prime 85mm T2.1 Planar T* CP.2 85		ana./dig. limited	4K	24		22	14	circular		100		114		80	900	MF only	300	-/-	-/-		deep barrel	2010
	Zeiss Compact Prime 85mm T2.1 Planar T* CP.3 85		ana./dig. limited		24		22	14	circular		100		95		83.7*	880	MF only	300	-/-	-/-			2017	*with PL mount
	Zeiss Compact Prime 85mm T1.5 Planar T* CP.2 85 Super Speed		ana./dig. limited	4K	24		22	14	circular		100		114		80	900	MF only	300	-/-	-/-			2012
	Zeiss Compact Prime 100mm T2.1 Planar T* CP.2 100		ana./dig. limited	4K	20		22	14	circular		70		114		132	1490	MF only	300	-/-	-/-		deep barrel	2010
	Zeiss Compact Prime 100mm T2.1 Planar T* CP.3 100		ana./dig. limited		20		22	14	circular		70		95		126.5*	1010	MF only	300	-/-	-/-			2017	*with PL mount
	Zeiss Compact Prime 135mm T2.1 Sonnar T* CP.2 135		ana./dig. limited	4K	15		22	14	circular		100		114		149	1600	MF only	300	-/-	-/-			2012
	Zeiss Compact Prime 135mm T2.1 Sonnar T* CP.3 135		ana./dig. limited		15		22	14	circular		100		95		126.5*	1150	MF only	300	-/-	-/-			2017	*with PL mount
The Zeiss Compact Primes are a series of cine lenses optically based on the ZF lens designs. They don't come with a fixed mount. Exchangeable mount pieces are available for PL mount, Canon EF and Nikon F. Mount piece exchange takes approximately 10-15 mins. Screwdriver, disc shims, screws and a test chart are part of the accessories delivered with the mount pieces. The barrels and mechanics of the lenses are completely different from the ZF models and were optimized for the manual needs of filming (sturdier construction, homogeneous(ly) operating elements, long focus ring rotation etc.). All lenses of the CP.2 series are color-matched and feature module 0.8 gears. CP.3 series lenses are available as basic and XD versions. XD stands for eXtended Data Technology, a proprietary mixture of the open /i-Technology standard and Zeiss specific lens data about lens characteristics. eXtended Data is not strictly limited to PL mount, since it is as well communicated via 4pin Lemo on the lenses. Dedicated cases for the lenses above are available: one for 4 lenses and one for 6 lenses. CP.2 Transport Case #1856-822 (6 lenses): compact hard case made of polycarbonate (Pelican); 560 x 455 x 265mm (discontinued as of 2012, the previously offered CP.2 lens sets (7 lenses) came in two of those cases per set) CP.2 Transport Case #1853-662 (6 lenses): trolley style hard case made of polycarbonate; 560 x 455 x 265mm (2012) Refer to Still Lenses C/EF > Zeiss for a list of Zeiss ZE photography lenses.
	Zeiss Compact Zoom 15-30mm T2.9 T* CZ.2		ana./dig. limited	4K	100 - 62		22		circular		55		114		198	2600	MF only		yes	rotary			2014
	Zeiss Compact Zoom 28-80mm T2.9 T* CZ.2		ana./dig. limited	4K	66 - 25		22		circular		83		95		196	2500	MF only		yes	rotary			2013
	Zeiss Compact Zoom 70-200mm T2.9 T* CZ.2 70-200		ana./dig. limited	4K	29 - 10		22	18	circular		152		95		250	2800	MF only		yes	rotary			2012
	Zeiss CZ.2 Servo Unit		attaches to the side of the CZ.2 Compact Zooms and allows to control zoom (via rocker), iris and focus and provides a number of ports for wired 3rd party remote control units														MF only	unit powered by camera power out or external batteries (both requires optional cables)*					ann. f. NAB 2015**	one unit fits all CZ.2 available lens mounts, but only PL mounts can also power the unit directly; *prototype was first presented at IBC 2014; feat. an LCD to show focal length, aperture and some more bits and USB port for firmware updates
Zeiss cine lenses (all compact series) are color matched.
	Zeiss Lightweight Zoom 15.5-45mm T2.6 Vario-Sonnar T*XP LWZ.2		Super 35 limited	2K	78 - 31		22	9			45		114		209	2000	MF only	337	yes	rotary			2010	full zoom rotation is 120°
	Zeiss Lightweight Zoom 21-100mm T2.9-3.9 T* LWZ.3		Super 35		61 - 14		22	11			80		114		226 (PL flange)	2000	MF only	294	yes	rotary			ann. in 2016	feat. an exchangeable mount to swap between PL, EF and others
The Zeiss Lightweight Zooms are cine zoom lenses of a new optical design featuring the same exchangeable mount like the Compact Prime lenses. A dedicated case for the lenses above is available with the LWZ.2 Transport Case #1890-874, a compact hard case made of polycarbonate (Pelican, 560 x 455 x 265mm).
	Zeiss Supreme Prime 15mm T1.8		8K VistaVision	8K			22						114				MF only		-/-	-/-			ann. f. 2020
	Zeiss Supreme Prime 18mm T1.5		8K VistaVision	8K			22						114				MF only		-/-	-/-			ann. f. 2020
	Zeiss Supreme Prime 21mm T1.5		8K VistaVision	8K	79.5		22				35		95		119	1500	MF only		-/-	-/-			ann. f. Q2 2019
	Zeiss Supreme Prime 25mm T1.5		8K VistaVision	8K	70.8		22				26		95		119	1420	MF only		-/-	-/-			2018
	Zeiss Supreme Prime 29mm T1.5		8K VistaVision	8K	64		22				33		95		121	1610	MF only		-/-	-/-			2018
	Zeiss Supreme Prime 35mm T1.5		8K VistaVision	8K	55		22				32		95		119	1400	MF only		-/-	-/-			2018
	Zeiss Supreme Prime 50mm T1.5		8K VistaVision	8K	39		22				45		95		119	1220	MF only		-/-	-/-			2018
	Zeiss Supreme Prime 65mm T1.5		8K VistaVision	8K	30.5		22				60		95		121	1630	MF only		-/-	-/-			ann. f. Q2 2019
	Zeiss Supreme Prime 85mm T1.5		8K VistaVision	8K	24		22				84		95		119	1420	MF only		-/-	-/-			2018
	Zeiss Supreme Prime 100mm T1.5		8K VistaVision	8K	20.4		22				110		95		119	1580	MF only		-/-	-/-			ann. f. 12.2018
	Zeiss Supreme Prime 135mm T1.5		8K VistaVision	8K	15.6		22				135		114		146	2100	MF only		-/-	-/-			ann. f. Q3 2019
	Zeiss Supreme Prime 150mm T1.8		8K VistaVision	8K	13.7		22				150		114		146	2100	MF only		-/-	-/-			ann. f. Q4 2019
	Zeiss Supreme Prime 200mm T2.1		8K VistaVision	8K			22						114				MF only		-/-	-/-			ann. f. 2020
Zeiss Supremes come with an interchangeable mount (EF, PL and LPL), each supporting ZEISS eXtended Data. They are color matched, feature a consistent aperture and fixed control ring positions across the series. Scales are individually calibrated and engraved with each lens.

General Notes:
1.)	For Canon CN-E lenses refer to Video/Cine Gear > Cine Lenses > Canon CN-E.
2.)	There are many more companies offering lens modifications by complete rehousing. Arri in Munich is known to have converted a bunch of Nikons. Another company offering these services is Oppenheimer Camera Products in the US. Some interesting stuff there for PL and BNCR, but not for C/EF yet. OpTex was a company in the UK, offering at least mount conversions, though I can't find evidence for a Canon EF mount among the options (they did convert some Canon FD lenses to their OpTex Universal Mount). They quit business in 2005.
3.)	Anamorphic Lenses: Until now I do not know of any anamorphic lenses produced for Canon EF mount. Canon at least filed a patend for a CN-E 37.5-100mm T3.3 Anamorphic lens in 04.2016. However, SLR Magic just released a set of 3 Anamorphot-Cine lenses with PL mount, that are adaptable to Canon EF mount. There are no details on the adapters yet (except for that they are made from Titanium), but the formerly released 50mm T2.1 Apo HyperPrime Cine, also coming with PL mount and an optional EF adapter among others was said to require a factory service for installation of the adapter, which left the question, whether the installation is permanent or reversible. I did not read anything about the Hyperprime's adapter since 2 years now, it's not featured on the homepage. So let's see what happens to the Anamorphot-Cine lenses and their adapters. Specifications are as follows: SLR Magic 35mm T2.4 Anamorphot-Cine 1.33x: covers Super 35 format, delivering ~5.5K SLR Magic 50mm T2.8 Anamorphot-Cine 1.33x: covers full 35mm, delivering ~8K SLR Magic 70mm T4.0 Anamorphot-Cine 1.33x: covers full 35mm, delivering ~8K Common Specs: squeeze factor of 1.33x, multi-coating, close focus down to 3'6, filter thread of Ø82mm, Ø100 x 135mm in size with a weight of 1080g, Titanium PL mount I'd expect the size and weight to be true for only one of them. Not that similar size and weight throughout a series wouldn't be possible (it's actually done by others!), but I wouldn't expect it from SLR Magic. If all this doesn't help - SLR Magic also offers the Anamorphot 2x 50 adapter, which simply screws onto standard lenses like a close-up lens. It fits lenses with a front lens element diameter of up to 50mm and can be mounted to 62mm threads.
4.)	Vaporware/Fun Fact: In 2011 the Italian camera outlet Kelvinkamera+ (some might know them from eBay) announced a series of BabyPrimes being almost ready to ship - modded Zeiss ZF.2s featuring a unified front diameter, focus and iris markings and gear rings (like the Duclos mods above). KelvinKamera+ claimed the BabyPrimes being a result of a cooperation with Zeiss. Zeiss published a counter-statement abnegating any involvement or connection to KK+. The lenses were never produced, sold or reported about again.