Arri Cinema Cameras With Canon EF Mount - Canon EOS Technoclopedia

Model EF Lens Mount Sensor Processor Viewfinder LCD Shutter HD Recording (1920 x 1080px)3 UHD-1 Recording (3840 x 2160px)3 4K Recording (4096 x 2160px)3 Proprietary Max. Resolution Recording3 Audio Physical Recording Media Power Sources Connections Produced Comments Tests/Reviews
Size (mm) MPixel1 Crop (hrz.)2 Type Pixel Pitch (µm) Dyn. Range ISO (EV) Min. Illum. (lux) Gain (dB) Size (") Pixel Cov. (%) Size (") Pixel Cov. (%) Type Speeds (s) Format Compression FPS Range Format Compression FPS Range Format Compression FPS Range Resolution (px) Format Compression FPS Range Size (mm) Weight (g) Video Stills Batteries DC Remote Control Input Output
Arri Alexa Mini   #K2.0001103 [Super 35] 28.17 x 18.13 7.5 - 6.22* 1.28 - 1.52* ALEV III CMOS   14+ stops         Arri Alexa MVF-1 is optional
(#K2.0005861)
Transvideo StarliteHD5-Arri is optional
(5" OLED TS)
el. rolling shutter   QT
MXF
ProRes 422 /HQ + 4444
DNxHD
0.75 - 200
0.75 -
ProRes: possible by upsampling from 3.2K -/- -/- -/- 3200 x 1800 (16:9)
3414 x 2198 (OpenGate)x
3414 x 2198 (OpenGate)
QT
ARIx
MFX
ProRes 422 /HQ, 4444
ArriRAWx
DNxHD
0.75 - 60
0.75 - 30x
0.75 - 30
  184.8 x 140 x 124.8 ~2300 CFast 2.0   Gold Mount (opt.)
V-Mount (optional)
10.5 - 34V DC
(via Lemo 8pin)
ECS, LAN, WiFi,
GPIOs are optional
Sync: TimeCode, GenLock (optional)
Data: USB 2.0 (user sets, looks etc.)
Video: 6G-SDI, 3G-SDI, HD-SDI
Sync: TimeCode
2015 built-in ND filter array (0.6, 1.2, 2.1);
*Open Gate mode uses the full surface, 4:3 uses an area of 23.76 x 17.82mm, 16:9 an area of 23.76 x 13.37mm only;
 
Arri Amira   #K2.0001103 "35 mm format" (?)     ALEV III CMOS   14+ stops         Arri Amira MVF-1 is optional
(#K2.75004.0)
      el. rolling shutter   QTx ProResx 422 /HQ + 4444 - 100 /- 200x QTx ProResx - 60x -/- -/- -/- 3.2Kx
3414 x 2198 (OpenGate)x
QTx
ARIx
ProResx 422 /HQ, 4444
ArriRAWx
0.75 - 60x
0.75 - 60x
  309 x 149 x 139 ~4100 CFast 2.0 (.dpx or .jpg) yes   LAN, Wi-Fix Audio: XLR (5pin + 3pin)
Sync: BNC (TimeCode, GenLock)
Data: USB 2.0 (user sets, looks etc.)
Video: 6G-SDIx, 3G-SDI, HD-SDI
Audio: 3.5mm Headph., Bluetooth Mon.x
Sync: BNC (TimeCode)
2014 built-in ND filter array (0.6, 1.2, 2.1)  

General Notes:
1.) EF-Mount: Arri Alexa (Classic, XT, SXT ... including the Alexa M) cameras ship with the so-called Exchangeable-Lens-Mount-(ELM)-System - which features a round mount base - and a PL mount by default, with Panavision PL and mounts for still photo camera systems being advertised as available on demand (as part of a future-proof open architecture concept). In reality no more than 2 PL mounts (LA-PL-1 and LA-PL-2: 54 mm stainless steel mounts without and with LDS contacts) were produced by Arri themself. So? Similar to the RED ONE for these you'll need to rely on third party adapters, like the PrimeCircle XE-EF (according to P+S Technik not applicable to the Alexa Studio) or a Birger mount. Refer to Still Lenses C/EF > Adapting Lenses > EF to Cine for more details.
The only exception within the Arri Alexa family being offered with a natively produced Canon EF mount option is the Alexa Mini, which uses the same exchangeable mount system as the Arri Amira (square mount base plate). It's an electronic mount with still limited compatibility. Supported lenses include the following (probably more to come):
 
  • EF 8-15mm F4.0L Fisheye USM
  • EF 16-35mm F2.8L II USM
  • EF 17-40mm F4.0L USM
  • EF 24-70mm F2.8L II USM
  • EF 24-105mm F4.0L IS USM
  • EF 28-300mm F3.5-5.6L IS USM
  • EF 70-200mm F2.8L IS II USM
  • EF 70-200mm F2.8 USM
  • EF 14mm F2.8L II USM
  • EF 24mm F1.4L II USM
  • EF 35mm F1.4L USM
  • EF 50mm F1.2L USM
  • EF 85mm F1.2L II USM
  • EF 100mm F2.8L IS Macro USM
  • EF 135mm F2.0L USM
  • EF 200mm F2.0L IS USM
  • EF 200-400mm F4.0L IS USM
  • EF 400mm F2.8L IS II USM
  • EF 800mm F5.6L IS USM
2.) Avid DNxHD: Just in case you want to get into details, there are is a whitepaper on Avid DNxHD Technology available in the 2008's High Definition Without The High Overhead. [...] and the 2012's Beauty Without The Bandwidth. [...] versions.
   
Footnotes:
x Arri Upgrade License Policy: Arri offers a series of temporary and/or permanent upgrade licenses to unlock special features of the cameras. Some of these are for free, some are not.